Book contents
- Frontmatter
- Contents
- List of Figures
- Notes on the Contributors
- Acknowledgements
- Introduction
- 1 Architectures of Ubiquity: The Colonial Revival in Film and Television
- 2 No Down Payment: Whiteness, Japanese American Masculinity and Architectural Space in the Cinematic Suburbs
- 3 Resist, Redefine, Appropriate: Negotiating the Domestic Space in Contemporary Female Biopics
- 4 Liminal Spaces, Lesbian Desire and Veering off Course in Todd Haynes’s Carol
- 5 A Home on the Road in Claire Denis’s Vendredi soir
- 6 Acoustic Ectoplasm and the Loss of Home
- 7 Our House Now: Flat and Reversible Home Spaces in Post-war Film and Television
- 8 From Myth to Reality: Images of Domestic Space in Post-Soviet Baltic Films
- 9 No | Home | Movie: Essay Film, Architecture as Framing and the Non-house
- 10 At Home with the Nouvelle Vague: Apartment Plots and Domestic Urbanism in Godard’s Une femme est une femme and Varda’s Cléo de 5 à 7
- 11 Dwelling the Open: Amos Gitai and the Home of Cinema
- 12 What Is Cult When It’s At Home? Reframing Cult Cinema in Relation to Domestic Space
- 13 High-fructose Cinema and the Movie Industrial Complex: Radicalising the Technology of Representation in a Domestic Kind of Way
- Index
Acknowledgements
Published online by Cambridge University Press: 22 September 2020
Book contents
- Frontmatter
- Contents
- List of Figures
- Notes on the Contributors
- Acknowledgements
- Introduction
- 1 Architectures of Ubiquity: The Colonial Revival in Film and Television
- 2 No Down Payment: Whiteness, Japanese American Masculinity and Architectural Space in the Cinematic Suburbs
- 3 Resist, Redefine, Appropriate: Negotiating the Domestic Space in Contemporary Female Biopics
- 4 Liminal Spaces, Lesbian Desire and Veering off Course in Todd Haynes’s Carol
- 5 A Home on the Road in Claire Denis’s Vendredi soir
- 6 Acoustic Ectoplasm and the Loss of Home
- 7 Our House Now: Flat and Reversible Home Spaces in Post-war Film and Television
- 8 From Myth to Reality: Images of Domestic Space in Post-Soviet Baltic Films
- 9 No | Home | Movie: Essay Film, Architecture as Framing and the Non-house
- 10 At Home with the Nouvelle Vague: Apartment Plots and Domestic Urbanism in Godard’s Une femme est une femme and Varda’s Cléo de 5 à 7
- 11 Dwelling the Open: Amos Gitai and the Home of Cinema
- 12 What Is Cult When It’s At Home? Reframing Cult Cinema in Relation to Domestic Space
- 13 High-fructose Cinema and the Movie Industrial Complex: Radicalising the Technology of Representation in a Domestic Kind of Way
- Index
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- Film and Domestic SpaceArchitectures, Representations, Dispositif, pp. xiii - xivPublisher: Edinburgh University PressPrint publication year: 2020