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15 - Kireek2011 Championship routine analysis

from Part IV - Analyses of key works

Published online by Cambridge University Press:  05 April 2016

Simon Emmerson
Affiliation:
De Montfort University, Leicester
Leigh Landy
Affiliation:
De Montfort University, Leicester
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Publisher: Cambridge University Press
Print publication year: 2016

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References

Broughton, F. and Brewster, B. (2006) How to DJ (Properly): The Art and Science of Playing Records. London: Bantam Press.Google Scholar
Carluccio, J., Imboden, E. and Pirtle, R. (2000) ‘Turntable Transcription Methodology’ Available from http://www.studioscratches.com/wp-content/uploads/2011/01/TTMv1_Eng.pdf (accessed October 26 2015).Google Scholar
DMC (2011) DVD World Team + Battle For Supremacy 2011.Google Scholar
Gaskin, S. (2011) Kireek – Reigning world team champ DJs perform at the DMC after party. Time Out Shanghai. www.timeoutshanghai.com/features/Bars__Clubs-Event_spotlight/3660/Kireek.html (accessed 9 November 2012).Google Scholar
Gragg, R. (1999) Turntablists are the true visionaries. ncra.ca. www.ncra.ca/business/turntablism/ttarticles.html (accessed 20 June 2005).Google Scholar
Kireek (2012) Kireek Myspace page. www.myspace.com/kireekjp (accessed 9 November 2012).Google Scholar
Lambert, E. (2006) Kireek: Up to scratch. Kansai Scene. http://archives.kansaiscene.com/2006_10/html/club.shtml (accessed 9 November 2012).Google Scholar
Smith, S. (2000) Compositional strategies of the hip-hop turntablist. Organised Sound, 5(2), 75–9.CrossRefGoogle Scholar
Smith, S. (2013) Hip-Hop Turntablism, Creativity and Collaboration. Aldershot: Ashgate.Google Scholar
Webber, S. (2003) Turntable Technique – The Art Of The DJ (DVD). Quantum Leap.Google Scholar

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