Book contents
- Essays on Ancient Greek Literature and Culture
- Essays on Ancient Greek Literature and Culture
- Copyright page
- Contents
- Illustration and Tables
- Places of Original Publication
- Preface
- Editions and Abbreviations
- Introduction to Volume II: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels
- 1 Who is Dicaeopolis? (1988)
- 2 Marginalia Obsceniora: Some Problems in Aristophanes’ Wasps (1990)
- 3 Wine in Old Comedy (1995)
- 4 Ionian Iambus and Attic Komoidia: Father and Daughter, or Just Cousins? (2002)
- 5 Socrates in Aristophanes’ Clouds and the Audience of Attic Comedy (2007)
- 6 Aristophanes’ Clouds: An Agonistic Note (2015)
- 7 The Lesson of Book 2 (2018)
- 8 Theocritus’ Seventh Idyll, Philetas and Longus (1985)
- 9 Frame and Framed in Theocritus Poems 6 and 7 (1996)
- 10 The Reception of Apollonius Rhodius in Imperial Greek Literature (2000)
- 11 Time and Place, Narrative and Speech in Philicus, Philodamus and Limenius (2015)
- 12 Greek Sophists and Greek Poetry in the Second Sophistic (1989)
- 13 Poetry and Poets in Asia and Achaea (1989)
- 14 Greek Poetry in the Antonine Age (1990)
- 15 Hadrian and Greek Poetry (2002)
- 16 Dionysius of Alexandria: A Greek Poet in the Roman Empire (2004)
- 17 Luxury Cruisers? Philip’s Epigrammatists between Greece and Rome (2012)
- 18 Doing Doric (2016)
- 19 The Novels and the Real World (1977)
- 20 The Readership of Greek Novels in the Ancient World (1994)
- 21 Philostratus: Writer of Fiction (1994)
- 22 Names and a Gem: Aspects of Allusion in the Aethiopica of Heliodorus (1995)
- 23 The Ancient Readers of the Greek Novels (1996)
- 24 Phoenician Games in Heliodorus’ Aethiopica (1998)
- 25 The Chronology of the Earlier Greek Novels since B. E. Perry: Revisions and Precisions (2002)
- 26 The Function of Mythology in Longus’ Daphnis and Chloe (2003)
- 27 Metaphor in Daphnis and Chloe (2005)
- 28 The Construction of the Classical Past in the Ancient Greek Novels (2006)
- 29 Viewing and Listening on the Novelist’s Page (2006)
- 30 Direct Speech in Longus’ Daphnis and Chloe (2006)
- 31 Pulling the Other? Longus on Tragedy (2007)
- 32 Links between Antonius Diogenes and Petronius (2007)
- 33 Literary Milieux (2008)
- 34 The Uses of Bookishness (2009)
- 35 Country Virtues, City Vices in Longus, Daphnis and Chloe? (2009)
- 36 Socrates’ Cock and Daphnis’ Goats: The Rarity of Vows in the Religious Practice of the Greek Novels (2012)
- 37 Caging Grasshoppers: Longus’ Materials for Weaving ‘Reality’ (2013)
- 38 ‘Milesian Tales’ (2013)
- 39 A Land without Priests? Religious Authority in Longus, Daphnis and Chloe (2015)
- 40 Poetic Elements in the Greek Novelists’ Prose (2017)
- 41 Captured Moments: Illustrating Longus’ Prose (2018)
- 42 Λέξεις Λόγγου (2019)
- 43 Animals, Slaves and Masters in Longus’ Daphnis and Chloe (2019)
- 44 The Demotion of the Literary Cowherd (2019)
- 45 Callimachus and Longus (2019)
- 46 Silence in Chariton, Xenophon, Achilles Tatius and Longus (2020)
- Bibliography
- Index Locorum
- Index of Greek Terms
- General Index
28 - The Construction of the Classical Past in the Ancient Greek Novels (2006)
Published online by Cambridge University Press: 10 October 2023
- Essays on Ancient Greek Literature and Culture
- Essays on Ancient Greek Literature and Culture
- Copyright page
- Contents
- Illustration and Tables
- Places of Original Publication
- Preface
- Editions and Abbreviations
- Introduction to Volume II: Comedy, Herodotus, Hellenistic and Imperial Greek Poetry, the Novels
- 1 Who is Dicaeopolis? (1988)
- 2 Marginalia Obsceniora: Some Problems in Aristophanes’ Wasps (1990)
- 3 Wine in Old Comedy (1995)
- 4 Ionian Iambus and Attic Komoidia: Father and Daughter, or Just Cousins? (2002)
- 5 Socrates in Aristophanes’ Clouds and the Audience of Attic Comedy (2007)
- 6 Aristophanes’ Clouds: An Agonistic Note (2015)
- 7 The Lesson of Book 2 (2018)
- 8 Theocritus’ Seventh Idyll, Philetas and Longus (1985)
- 9 Frame and Framed in Theocritus Poems 6 and 7 (1996)
- 10 The Reception of Apollonius Rhodius in Imperial Greek Literature (2000)
- 11 Time and Place, Narrative and Speech in Philicus, Philodamus and Limenius (2015)
- 12 Greek Sophists and Greek Poetry in the Second Sophistic (1989)
- 13 Poetry and Poets in Asia and Achaea (1989)
- 14 Greek Poetry in the Antonine Age (1990)
- 15 Hadrian and Greek Poetry (2002)
- 16 Dionysius of Alexandria: A Greek Poet in the Roman Empire (2004)
- 17 Luxury Cruisers? Philip’s Epigrammatists between Greece and Rome (2012)
- 18 Doing Doric (2016)
- 19 The Novels and the Real World (1977)
- 20 The Readership of Greek Novels in the Ancient World (1994)
- 21 Philostratus: Writer of Fiction (1994)
- 22 Names and a Gem: Aspects of Allusion in the Aethiopica of Heliodorus (1995)
- 23 The Ancient Readers of the Greek Novels (1996)
- 24 Phoenician Games in Heliodorus’ Aethiopica (1998)
- 25 The Chronology of the Earlier Greek Novels since B. E. Perry: Revisions and Precisions (2002)
- 26 The Function of Mythology in Longus’ Daphnis and Chloe (2003)
- 27 Metaphor in Daphnis and Chloe (2005)
- 28 The Construction of the Classical Past in the Ancient Greek Novels (2006)
- 29 Viewing and Listening on the Novelist’s Page (2006)
- 30 Direct Speech in Longus’ Daphnis and Chloe (2006)
- 31 Pulling the Other? Longus on Tragedy (2007)
- 32 Links between Antonius Diogenes and Petronius (2007)
- 33 Literary Milieux (2008)
- 34 The Uses of Bookishness (2009)
- 35 Country Virtues, City Vices in Longus, Daphnis and Chloe? (2009)
- 36 Socrates’ Cock and Daphnis’ Goats: The Rarity of Vows in the Religious Practice of the Greek Novels (2012)
- 37 Caging Grasshoppers: Longus’ Materials for Weaving ‘Reality’ (2013)
- 38 ‘Milesian Tales’ (2013)
- 39 A Land without Priests? Religious Authority in Longus, Daphnis and Chloe (2015)
- 40 Poetic Elements in the Greek Novelists’ Prose (2017)
- 41 Captured Moments: Illustrating Longus’ Prose (2018)
- 42 Λέξεις Λόγγου (2019)
- 43 Animals, Slaves and Masters in Longus’ Daphnis and Chloe (2019)
- 44 The Demotion of the Literary Cowherd (2019)
- 45 Callimachus and Longus (2019)
- 46 Silence in Chariton, Xenophon, Achilles Tatius and Longus (2020)
- Bibliography
- Index Locorum
- Index of Greek Terms
- General Index
Summary
This chapter documents the differences in the five novelists’ representation of the Greek past – mythical, archaic, classical and Hellenistic. I distinguished two groups: Xenophon and Longus each offer very little myth or history before the period of the events they narrate; Chariton, Achilles Tatius and Heliodorus, on the other hand, not only use much circumstantial detail to build up a classical or (in Achilles Tatius’ case) Hellenistic world in which their story is set, but also give that world temporal depth by exploitation of mythology, and occasionally by introducing events or persons from earlier Greek history. Xenophon’s and Achilles Tatius’ worlds are such that their similarity with that of readers can almost be taken for granted, with little incentive to ask in what way and to what effect these worlds are to any degree different from their own. Chariton and Heliodorus are different: the more or less determinable historical setting combines with a decidedly contemporary σφραγίς to give readers both a strong sense of Greek cultural continuity and the opportunity to identify features where their contemporary Greek world might be significantly different: the most important such difference is Roman control of the Greek world, which is also strongly hinted at by Longus despite his choice of a timeless, predominantly rural context.
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- Essays on Ancient Greek Literature and Culture , pp. 566 - 583Publisher: Cambridge University PressPrint publication year: 2023