Book contents
- Frontmatter
- Contents
- List of Illustrations
- Foreword by Sir Charles Mackerras
- Acknowledgments
- 1 Glasgow: Kailyard or Coal Yard?
- 2 The Active Society: Bringing the Heroes of Modernism to Glasgow
- 3 Chisholm's Scottish Inheritance
- Interlude: The Love of Sorabji
- 4 A Trojan Horse in Glasgow: Berlioz, Mozart and Gluck
- 5 The Ballet & The Baton as Weapons of War
- Centre-Piece Pictures from Dante & Night Song of the Bards: A Journey from West to East
- 6 From Italy to India and Singapore
- 7 Under Table Mountain
- 8 On Tour in the USA and Europe
- 9 Soviet Ambassador: Chisholm behind the Iron Curtain
- Interlude: The Love of Janáček
- 10 Chasing a Restless Muse: The Heart's Betrayal
- 10 Chasing a Restless Muse: The Heart's Betrayal
- Appendix 1: The Active Society for the Propagation of Contemporary Music
- Appendix 2: Patrick Macdonald Sources for Chisholm's Piano Works
- Notes
- Select Bibliography
- Discography
- Selected Compositions
- Index
10 - Chasing a Restless Muse: The Heart's Betrayal
Published online by Cambridge University Press: 11 March 2023
- Frontmatter
- Contents
- List of Illustrations
- Foreword by Sir Charles Mackerras
- Acknowledgments
- 1 Glasgow: Kailyard or Coal Yard?
- 2 The Active Society: Bringing the Heroes of Modernism to Glasgow
- 3 Chisholm's Scottish Inheritance
- Interlude: The Love of Sorabji
- 4 A Trojan Horse in Glasgow: Berlioz, Mozart and Gluck
- 5 The Ballet & The Baton as Weapons of War
- Centre-Piece Pictures from Dante & Night Song of the Bards: A Journey from West to East
- 6 From Italy to India and Singapore
- 7 Under Table Mountain
- 8 On Tour in the USA and Europe
- 9 Soviet Ambassador: Chisholm behind the Iron Curtain
- Interlude: The Love of Janáček
- 10 Chasing a Restless Muse: The Heart's Betrayal
- 10 Chasing a Restless Muse: The Heart's Betrayal
- Appendix 1: The Active Society for the Propagation of Contemporary Music
- Appendix 2: Patrick Macdonald Sources for Chisholm's Piano Works
- Notes
- Select Bibliography
- Discography
- Selected Compositions
- Index
Summary
Most people's hearts betray them at some time or another, but whether they betray an inner truth or necessity by exposing it, or cheat their owners into a false situation, is a matter of fine judgment. Chisholm's heart was undoubtedly restless, and his muse was not of the sort to stroke the fevered brow. They betrayed him doubly. They led him away from a marriage which had in many ways been an excellent and fruitful match, into a new and undoubtedly rejuvenating love and then failed to stand up to the strain, physiologically. Diana also had lost heart and was setting up her own establishment by late June 1961, while Erik was already suggesting the possibility of divorce. He was frequently out in Durbanville (where Sheila was living), having had his own Bechstein piano moved there, and found his time in Cape Town a hell by comparison. In Durbanville, he worked on The Nun's Priest's Tale, sending Sheila out to find a suitable cockerel to bring home so that he could make use of its crowing – the plot of the tale concerns a cock, a hen and a fox (see Chapter 9).
But the award of a sabbatical for 1962 was, perhaps, the final catalyst in the breakup of his marriage.
I spent a considerable part of 1962 living in Scotland and in touch with my old friend the distinguished and also honorary member of your Burns Fellowship Club, Christopher Grieve (Hugh MacDiarmid). We agreed to collaborate together in the writing of an opera and I have suggested as a tentative subject and title ‘robert burns, his life, his loves, his songs’.
It was a sadly appropriate time for Chisholm to be studying Burns's loves in particular. Diana, who had been his mainstay and had supported him loyally for so many years, had never quite matched the sexual energies of a man who knew himself he had been born with too much energy.
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- Erik Chisholm, Scottish Modernist (1904-1965)Chasing a Restless Muse, pp. 194 - 211Publisher: Boydell & BrewerPrint publication year: 2009