Book contents
- Frontmatter
- CONTENTS
- List of Contributors
- List of Figures and Tables
- Introduction: Ellen Terry and Her Circle – Formal Introductions and Informal Encounters
- Part I Ellen Terry's Influences on Others
- Part II Family Influences
- 6 Introduction: Edward Gordon Craig – Prophet or Charlatan?
- 7 E. W. G. and E. G. C.: Father and Son
- 8 Lewis Carroll, Ellen Terry and the Stage Career of Menella ‘Minna’ Quin: ‘A Very Kind and Christian Deed’
- 9 Edith Craig as Director: Staging Claudel in the War Years
- 10 Velona Pilcher and Dame Ellen Terry (1926)
- 11 Ellen Terry: Preserving the Relics and Creating the Brand
- 12 Describing the Ellen Terry and Edith Craig Archive
- Notes
- Works Cited
- Index
6 - Introduction: Edward Gordon Craig – Prophet or Charlatan?
from Part II - Family Influences
- Frontmatter
- CONTENTS
- List of Contributors
- List of Figures and Tables
- Introduction: Ellen Terry and Her Circle – Formal Introductions and Informal Encounters
- Part I Ellen Terry's Influences on Others
- Part II Family Influences
- 6 Introduction: Edward Gordon Craig – Prophet or Charlatan?
- 7 E. W. G. and E. G. C.: Father and Son
- 8 Lewis Carroll, Ellen Terry and the Stage Career of Menella ‘Minna’ Quin: ‘A Very Kind and Christian Deed’
- 9 Edith Craig as Director: Staging Claudel in the War Years
- 10 Velona Pilcher and Dame Ellen Terry (1926)
- 11 Ellen Terry: Preserving the Relics and Creating the Brand
- 12 Describing the Ellen Terry and Edith Craig Archive
- Notes
- Works Cited
- Index
Summary
Edward Gordon Craig has been the object of much criticism, not least in the furore over the publication of Ellen Terry's correspondence with Bernard Shaw. Craig is, in some ways, an easy target. He seems to invite censure. But perhaps now is the time for a reassessment. The idea that he deserved punishment, even in a legal setting, seems to be widely welcomed, as I have indicated elsewhere. His treatment of women, in particular, his one-sided commitment to free love and the casual way he ignored some of the inevitable and unfortunate outcomes, challenge the modern reader in various ways. However, many of his family, friends and lovers made allowances for him. For his lovers, especially, he had illuminated their lives with such vivid intensity, such irresistible fun and magical happiness for a time that they could endure the appalling pain and disappointment that followed without our schoolmasterly interference: and besides they had his children.
It was wrong, Craig liked to believe, to allow one's mind to dwell on misconduct – indeed it could be ruinous. He was fond of quoting R. L. Stevenson to this effect:
The conscience has morbid sensibilities; it must be employed, not indulged, like the imagination or the stomach. Shut your eyes against the recollection of your sins. Do not be afraid, you will not be able to forget them. You will always do wrong, you must get used to that.
- Type
- Chapter
- Information
- Ellen Terry, Spheres of Influence , pp. 77 - 80Publisher: Pickering & ChattoFirst published in: 2014