Book contents
- Frontmatter
- Dedication
- Contents
- List of Figures
- List of Tables
- List of Contributors
- Acknowledgements
- Preface
- Introduction: Internal Dramas
- PART I STAGE AND SACRED WORKS
- PART II LIEDER
- PART III INSTRUMENTAL MUSIC
- 9 ‘Zumsteeg Ballads without Words’: Inter-Generic Dialogue and Schubert's Projection of Drama through Form
- 10 Lyricism and the Dramatic Unity of Schubert's Instrumental Music: The Impromptu in C Minor, D. 899/1
- 11 Music as Poetry: An Analysis of the First Movement of Schubert's Piano Sonata in A Major, D. 959
- 12 Virtual Protagonist and Musical Narration in the Slow Movements of Schubert's Piano Sonatas D. 958 and D. 960
- 13 Stylistic Disjuncture as a Source of Drama in Schubert's Late Instrumental Works
- Select Bibliography
- Index
13 - Stylistic Disjuncture as a Source of Drama in Schubert's Late Instrumental Works
from PART III - INSTRUMENTAL MUSIC
Published online by Cambridge University Press: 25 March 2020
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Book contents
- Frontmatter
- Dedication
- Contents
- List of Figures
- List of Tables
- List of Contributors
- Acknowledgements
- Preface
- Introduction: Internal Dramas
- PART I STAGE AND SACRED WORKS
- PART II LIEDER
- PART III INSTRUMENTAL MUSIC
- 9 ‘Zumsteeg Ballads without Words’: Inter-Generic Dialogue and Schubert's Projection of Drama through Form
- 10 Lyricism and the Dramatic Unity of Schubert's Instrumental Music: The Impromptu in C Minor, D. 899/1
- 11 Music as Poetry: An Analysis of the First Movement of Schubert's Piano Sonata in A Major, D. 959
- 12 Virtual Protagonist and Musical Narration in the Slow Movements of Schubert's Piano Sonatas D. 958 and D. 960
- 13 Stylistic Disjuncture as a Source of Drama in Schubert's Late Instrumental Works
- Select Bibliography
- Index
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- Drama in the Music of Franz Schubert , pp. 303 - 330Publisher: Boydell & BrewerPrint publication year: 2019