Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-lj6df Total loading time: 0 Render date: 2024-11-15T10:19:00.568Z Has data issue: false hasContentIssue false

G

Published online by Cambridge University Press:  29 August 2010

Get access

Summary

GAA or GAH, (G. M.) a good violinist and pianist at Heidelberg in 1803. He published at Manheim, in 1798, “Six Ausgesuchte. Lieder.”

GABLER, (Christopher August) a vocal and instrumental composer at Revel, has published much music at Leipsic, between the years 1788 and 1802.

GABLER, (Matthias) born at Spalt, in Franconia, in 1726, published at Ingolstadt, in 1776, a treatise, in 4to., on the tone of instruments. He died at Wembdingen in 1805.

GABRIELI, (Andrea) a celebrated organist of St. Mark's church at Venice, flourished in the second half of the sixteenth century. He published many madrigals, and church music, at Venice, between the years 1572 and 1590.

GABRIELI, (Domenico) a dramatic composer at Venice in the latter part of the seventeenth century.

GABRIELI, (Francesa) of Ferrara, was a pupil of Sacchini in 1770, at the conservatory of the Ospedalctto, at Venice. In 1786, she sang at the opera in London, and was second only to Madame Mara.

GABRIELI, (Giovanni) a celebrated composer and organist of St. Mark's church at Venice, died in 1612. He published much sacred and other vocal music at Venice.

GABRIELI, (Catiiakina) one of the most celebrated singers of the eighteenth century, was born at Rome in 1730. She was a pupil of Porpora and Metastasio, and was famed for her astonishing capricci. Of this extraordinary woman, Brydone thus speaks, in his Tour through Sicily and Malta, vol. ii. p. 319: “The first woman is Gabrieli, who is certainly the greatest singer in the world, and those that sing on the same theatre with her must be capital, otherwise they never can be attended to.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2009
First published in: 1824

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • G
  • John Sainsbury
  • Book: A Dictionary of Musicians, from the Earliest Ages to the Present Time
  • Online publication: 29 August 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511703225.009
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • G
  • John Sainsbury
  • Book: A Dictionary of Musicians, from the Earliest Ages to the Present Time
  • Online publication: 29 August 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511703225.009
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • G
  • John Sainsbury
  • Book: A Dictionary of Musicians, from the Earliest Ages to the Present Time
  • Online publication: 29 August 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511703225.009
Available formats
×