Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-t7czq Total loading time: 0 Render date: 2024-11-29T02:07:24.698Z Has data issue: false hasContentIssue false

Appendix: Synopses of Films Discussed (In Alphabetical Order)

Published online by Cambridge University Press:  03 March 2023

Get access

Summary

El acto en cuestión / The Act in Question

Credits

1993

Production companies: Allarts Films and Schlemmer Film (Netherlands)

Directed by Alejandro Agresti

Produced by Kees Kasander

Script by Alejandro Agresti. Based on a novel by Alejandro Agresti

Cinematography by Néstor Sanz

Edited by Stephan Kamp

Music by Toshio Nakagawa and the song ‘La montaña’ by Luis Alberto Spinetta

Duration: 105 minutes approx.

With: Carlos Roffe (Miguel Quiroga), Sergio Poves Campos (Amilcar Liguori), Lorenzo Quinteros (Rogelio), Mirta Busnelli (Azucena), Natalie Alonso Casale (Sylvie), Guido Lauwaert (Antonio, mute friend)

Synopsis

Miguel Quiroga is a tramp who lives with Azucena in a humble building inhabited by marginal people similar to themselves. He has the bizarre habit of stealing one random book every day and reading it throughout the night. One night he reads a book about ‘Magic and Occultism’ and discovers a trick through which he can make things disappear. He then shows the trick to the owner of a circus, Amilcar Liguori, who hires him. Miguel's vanishing act is a success but he becomes increasingly paranoid about the possibility that someone else will read the book so he decides to burn it, in an attempt to keep the secret to himself, and starts travelling the world performing the trick. He tries it out on people, but it does not work at first so he hides for a while until he is able to perfect the act and bring people back from their disappearance. A star magician again, but still haunted by the fear of discovery, Miguel is encouraged by Amilcar, now his manager, to perform the act in Paris, with the Eiffel Tower as the site of his next trick. Whilst in the city he falls in love with Sylvie who is the only one in the crowd not to see the Eiffel Tower as having disappeared, which causes Miguel much distress. The couple – now married – travel back to Buenos Aires where Sylvie is kept prisoner by her husband. One night Amilcar reveals to Miguel that he had known about the book for years, similarly hiding the secret. He warns that the new edition of the book will bring Miguel's international fame to an end.

Type
Chapter
Information
Confronting the 'Dirty War' in Argentine Cinema, 1983-1993
Memory and Gender in Historical Representations
, pp. 199 - 208
Publisher: Boydell & Brewer
Print publication year: 2009

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×