Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- Introduction
- Chapter 1 Back to the Future? Idioms of ‘displaced time’ in South African composition
- Chapter 2 Apartheid's Musical Signs: Reflections on black choralism, modernity and race-ethnicity in the segregation era
- Chapter 3 Discomposing Apartheid's Story: Who owns Handel?
- Chapter 4 Kwela's White Audiences: The politics of pleasure and identification in the early apartheid period
- Chapter 5 Popular Music and Negotiating Whiteness in Apartheid South Africa
- Chapter 6 Packaging Desires: Album covers and the presentation of apartheid
- Chapter 7 Musical Echoes: Composing a past in/for South African jazz
- Chapter 8 Singing Against Apartheid: ANC cultural groups and the international anti-apartheid struggle
- Chapter 9 ‘Nkosi Sikelel' iAfrika’: Stories of an African anthem
- Chapter 10 Whose ‘White Man Sleeps’ Aesthetics? and politics in the early work of Kevin Volans
- Chapter 11 State of Contention: Recomposing apartheid at Pretoria's State Theatre, 1990–1994. A personal recollection
- Chapter 12 Decomposing Apartheid: Things come together
- Chapter 13 Arnold van Wyk's Hands
- Contributors
- Index
Frontmatter
Published online by Cambridge University Press: 20 April 2018
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- Introduction
- Chapter 1 Back to the Future? Idioms of ‘displaced time’ in South African composition
- Chapter 2 Apartheid's Musical Signs: Reflections on black choralism, modernity and race-ethnicity in the segregation era
- Chapter 3 Discomposing Apartheid's Story: Who owns Handel?
- Chapter 4 Kwela's White Audiences: The politics of pleasure and identification in the early apartheid period
- Chapter 5 Popular Music and Negotiating Whiteness in Apartheid South Africa
- Chapter 6 Packaging Desires: Album covers and the presentation of apartheid
- Chapter 7 Musical Echoes: Composing a past in/for South African jazz
- Chapter 8 Singing Against Apartheid: ANC cultural groups and the international anti-apartheid struggle
- Chapter 9 ‘Nkosi Sikelel' iAfrika’: Stories of an African anthem
- Chapter 10 Whose ‘White Man Sleeps’ Aesthetics? and politics in the early work of Kevin Volans
- Chapter 11 State of Contention: Recomposing apartheid at Pretoria's State Theatre, 1990–1994. A personal recollection
- Chapter 12 Decomposing Apartheid: Things come together
- Chapter 13 Arnold van Wyk's Hands
- Contributors
- Index
Summary
- Type
- Chapter
- Information
- Composing ApartheidMusic for and against apartheid, pp. i - iiPublisher: Wits University PressPrint publication year: 2008