Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-g7gxr Total loading time: 0 Render date: 2024-11-08T17:26:48.981Z Has data issue: false hasContentIssue false

Lecture 4 - Thursday, 28 November 1811 (Venus and Adonis, Rape of Lucrece)

from Lectures on Shakespeare 1811–1812

Published online by Cambridge University Press:  27 April 2017

Adam Roberts
Affiliation:
University of London, Royal Holloway
Get access

Summary

Various attempts have been made to arrange the plays of Shakespeare, each according to its priority in time, by proofs derived from external documents. How unsuccessful these attempts have been might easily be shown, both from the widely different results of men, all deeply versed in the black-letter Books, Old Plays, Pamphlets, and Manuscript Records and Catalogues of that age, as also from the fallacious and unsatisfactory Nature of the Facts and Data on which the Evidence rests. In that age, when the Press was chiefly occupied with controversial and practical Divinity; when the Law, the Church and the State engrossed all honour and respectability; when a degree of Disgrace, quaedam levior infamiae maculae, was attached to the publication of Poetry, and even to have sported with the Muse, as a private relaxation, was supposed to be a venial fault, indeed, but yet something beneath the gravity of a wise Man.

This fact might be proved from a letter of Dr Donne, wherein he expressed his mortification that any of his poems should have been published, and he thereby have incurred the disgrace of being a poet:

of my Anniversaries, the fault that I acknowledge in myself is to have descended to print any thing in verse, which, though it has excuse even in our own times by men who profess and practise much gravity, yet I confess I wonder how I declin'd to it, and do not pardon myself.

Another cause of the obscurity hanging over the works of Shakespeare is the poverty of the professed Poets, so poor they that the very expenses of the press demanded the liberality of some wealthy Individual, so that two thirds of Spencer's poetic works, and those most highly praised by his learned admirers and friends, remained for many years in Manuscript, and in Manuscript perished. Half his Fairy Queen, his Comedies, his Hymn and a number of his Epistles were thus lost to the world.

Type
Chapter
Information
Publisher: Edinburgh University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×