Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-gxg78 Total loading time: 0 Render date: 2024-12-25T02:22:23.108Z Has data issue: false hasContentIssue false

28 - Is Romanticism finished?

from Part IV - The Ends of Romanticism

Published online by Cambridge University Press:  28 May 2009

Get access

Summary

Villon and Borgia – Sidonia, Lovelace, Becky Sharp, Heathcliff, and, supremely, the Divine Marquis Himself! How much better these demonic creatures than the Pale Galilean who tormented them with the platitudes of his wretched moral codes and those ‘forms of worship’ Blake banished forever to a darkness deeper than Stygian, wider than Chaos. How much better and – better yet, Thank Somebody! – how much worse!

(A. C. Swinburne to D. G. Rossetti, 1 April 1866, Easter Sunday)

Is Romanticism finished? Such is the question posed for me by the editor of this volume. Cultural observers like ourselves, the essayists in this book, have a certain professional investment in answering that question negatively. ‘Certainly not, Romanticism flourishes, its forms are central to the best that has been known and thought etc. etc.’ And if that way of thinking has been, if it be, but a vain belief, how often have our spirits turned to it – how often, in how many days and ways!

‘Is Romanticism finished?’ No? YES, according to one of our age’s defining cultural spokespersons. It is and always has been and always will be. Death and loss are the glory of a Romantic imagination. ‘Romanticism is a doomed tradition, yet a perpetually self-renewing one.’ It’s been a long-lived and persuasive view – Romanticism as the land of the last and the lost. Look up, there’s that great Romantic figure, Prometheus.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2009

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abrams, M. H., The Mirror and the Lamp: Romantic Theory and the Critical Tradition, New York: W. W. Norton, 1953.
Babbitt, Irving, Rousseau and Romanticism, Boston: Houghton Mifflin, 1919.
Bate, Walter Jackson, From Classic to Romantic, Harper and Row, 1946.
Baucom, Ian, and Kennedy, Jennifer (eds.), Afterlives of Romanticism, South Atlantic Quarterly 102:1 (Winter 2003).
Bloom, Harold, The Anxiety of Influence: A Theory of Poetry, New York: Oxford University Press, 1973.
Bloom, Harold, The Ringers in the Tower, Chicago: University of Chicago Press, 1971.
Bloom, Harold, The Visionary Company: A Reading of English Romantic Poetry, New York: Doubleday, 1961.
Byron: The Complete Poetical Works, 7 vols., ed. McGann, Jerome, Oxford: The Clarendon Press, 1980–92.
Coetzee, J. M., Disgrace, London: Secker and Warburg, 1999.
Eliot, T. S., The Use of Poetry and the Use of Criticism: Studies in the Relation of Criticism to Poetry in England, Cambridge, MA: Harvard University Press, 1933.
Erdman, David V. (ed.), The Complete Poetry and Prose of William Blake, commentary by Bloom, Harold, newly rev. edn, Berkeley: University of California Press, 1982.
Frye, Northrop, Fables of Identity: Studies in Poetic Mythology, New York: Harcourt, Brace, and World, 1963.
Frye, Northrop (ed.), Romanticism Reconsidered: Selected Papers from the English Institute, New York: Columbia University Press, 1963.
Gordimer, Nadine, ‘The Idea of Gardening: Life and Times of Michael K’, in Critical Essays on J. M. Coetzee, ed. Kossew, Sue, New York: G. K. Hall, 1998.Google Scholar
Hardy, Thomas, The Complete Poems, ed. Gibson, James, Variorum Edition, London: Macmillan, 1979.
Hartman, Geoffrey, The Unmediated Vision: Wordsworth, Hopkins, Rilke, and Valery, New Haven: Yale University Press, 1954.
Hulme, T. E., Speculations: Essays on Humanism and the Philosophy of Art, New York: Harcourt, Brace, and Co., 1924.
McGann, Jerome, Byron and Romanticism, Cambridge: Cambridge University Press, 2002.
McGann, Jerome, The Romantic Ideology, Chicago: University of Chicago Press, 1983.
Shelley, Percy Bysshe, Shelley’s Poetry and Prose, ed. Reiman, Donald H. and Fraistat, Neil, 2nd edn, New York: Norton, 2002.
Wasserman, Earl, The Finer Tone, Baltimore: Johns Hopkins University Press, 1967.
Williams, Ranti, ‘A Man’s Salvation’ (review of J. M. Coetzee, Disgrace), Times Literary Supplement, 25 June 1999.Google Scholar
Wilson, Carol Shiner, and Hafner, Joel (eds.), Re-Visioning Romanticism, British Women Writers, 1776–1837, Philadelphia: University of Pennsylvania Press, 1994.
Woodring, Carl, Politics in English Romantic Poetry, Cambridge, MA: Harvard University Press, 1970.

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×