Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-mlc7c Total loading time: 0 Render date: 2024-11-09T06:48:24.893Z Has data issue: false hasContentIssue false

6 - North and south: the twelfth and thirteenth centuries

Published online by Cambridge University Press:  28 May 2011

Kang-i Sun Chang
Affiliation:
Yale University, Connecticut
Stephen Owen
Affiliation:
Harvard University, Massachusetts
Get access

Summary

Literature in the age of “China turning inward” Shuen-fu Lin

The Northern Song’s fall to the Jurchens

In 1114 the Jurchens, a semi-agricultural, fishing, and hunting people based in eastern Manchuria, rose up in rebellion against the Khitan Liao empire, the most powerful northern neighbor of the Song, occupying a vast territory that extended from Manchuria to Inner Asia. Led by Aguda (1068-1123), the Jurchens proclaimed their own Jin dynasty in 1115 and began their destruction of the Liao with lightning speed. They took the Liao Northern Capital at the juncture of Shira Muren river and the Liao river of central Manchuria in 1120. In that year the Jin and the Song formed an alliance against the Liao, agreeing that the Jin would return to the Song the Sixteen Prefectures on the northern border occupied by the Liao, and that the Song would transfer to the Jin the annual indemnities and other obligations they owed to the Liao. The two sides also agreed to launch their coordinated attacks in 1122, with the Jin working to drive the Liao from their Central Capital about a hundred miles south of the Northern Capital, and the Song to take the Liao Southern Capital at the site of present-day Beijing. Because of the Song’s failure to meet their side of the agreement, the alliance broke down. Early in 1122 the Jin took the Liao Central Capital and then continued on to take the Western Capital in Datong in modern northern Shanxi as well. Impatient with their Song allies, the Jurchens went on to take the Southern Capital at the end of 1122, and after sacking it, turned it over to the Song.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2010

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Bol, Peter K.Chao Ping-wen (1159–1232): Foundations for Literati Learning.” In Chinaunder Jurchen Rule, ed. Tillman, Hoyt C. and West, Stephen H.. Albany: State University of New York Press, 1995.Google Scholar
Bol, Peter K.Seeking Common Ground: Han Literati under Jurchen Rule.” HarvardJournal of Asiatic Studies 47, no. 2 (1987):.Google Scholar
Cavallo, Guglielmo, and Chartier, Roger, eds. A History of Reading in the West. Trans. Cochrane, Lydia G.. Cambridge: Polity Press, 1999.
Chan, Hok-lam. The Historiography of the Chin Dynasty: Three Studies.Munchener Ostasiatische Studien 4. Wiesbaden: Franz Steiner Verlag, 1977.
Chang, Kang-i Sun. “Symbolic and Allegorical Meanings in the Yueh-fu pu-t’i Poem Series.” HarvardJournal of Asiatic Studies 46, no. 2 (1986):.Google Scholar
Chartier, Roger. The Order of Books: Readers, Authors, and Libraries in Europe between the Fourteenth and Eighteenth Centuries. Trans. Cochrane, Lydia G.. Cambridge: Polity Press, 1999.
Chia, Lucille. Printing for Profit: the Commercial Publishers ofJianyang, Fujian (11th-17th Centuries).Cambridge, MA: Harvard University Press, 2000.
Duke, Michael S.Lu You.Boston: Twayne, 1977.
Edgren, Soren. “Southern Song Printing in Hangzhou.” Bulletin of the Museum of Far Eastern Antiquities 62 (1989):.Google Scholar
Fong, Grace S.Wu Wenying and the Art of Southern Song Ci Poetry.Princeton: Princeton University Press, 1988.
Franke, Herbert, and Twitchett, Denis, eds. Alien Regimes and Border States, 907–1368: The Cambridge History of China, Vol. 6.Cambridge: Cambridge University Press, 1999.
Fuller, Michael A.Aesthetics and Meaning in Experience: A Theoretical Perspective on Zhu Xi’s Revision of Song Dynasty Views of Poetry.” HarvardJournal of Asiatic Studies 65, no. 2 (2005):.Google Scholar
Hightower, James R., and Yeh, Florence Chia-ying. Studies in Chinese Poetry.Cambridge, MA: Harvard Asian Center, 1999.
Ho, Ping-ti. “An Estimate of the Total Population of Sung-Chin China.” Études Song (Sung Studies) Series 1.1 (1970):.Google Scholar
Idema, Wilt, and West, Stephen H.. Chinese Theater, 1100–1450: A Source Book. Ed. Franke, Herbert and Bauer, Wolfgang. Munchener Ostasiatische Studien. Wiesbaden: Franz Steiner, 1988.
Qicong, Jin. “Jurchen Literature under the Chin.” In China under Jurchen Rule, ed. Tillman, Hoyt C. and West, Stephen H.. Albany: State University of New York Press, 1995.Google Scholar
Lian, Xinda. The Wild and Arrogant: Expression of Self in Xin Qiji’s Song Lyrics.New York: Peter Lang, 1999.
Lin, Shuen-fu. “Space-Logic in the Longer Song Lyrics of the Southern Sung: A Reading of Wu Wen-ying’s ‘Ying-t’i-hsu.’Journal of Sung-Yuan Studies 25 (1995):.Google Scholar
Lin, Shuen-fu. “Through a Window of Dreams: Reality and Illusion in the Song Lyrics of the Song Dynasty.” In HsiangLectures on Chinese Poetry, Vol. 1.Montreal: McGill University Center for East Asian Research, 2001.Google Scholar
Lin, Shuen-fu. The Transformation of the Chinese Lyrical Tradition: Chiang K’uei and Southern Sung Tz’u Poetry.Princeton: Princeton University Press, 1977.
Liu, James T. C.China Turning Inward: Intellectual-Political Changes in the Early Twelfth Century.Cambridge, MA: Harvard University Press, 1988.
You, Lu. The Old Man Who Does as He Pleases: Selections from the Poetry and Prose ofLu Yu. Trans. Watson, Burton. New York: Columbia University Press, 1977.
Lynn, Richard John. “Chu Hsi as Literary Theorist and Critic.” In Chu Hsi and Neo-Confucianism, ed. Chan, Wing-tsit. Honolulu: University of Hawai’i Press, 1986.Google Scholar
Mote, Frederick W.Imperial China, 900–1800.Cambridge, MA: Harvard University Press, 1999.
Mote, Frederick W.A Millennium of Chinese Urban History: Form, Time, and Space Concepts in Soochow,” Rice University Studies 59, no. 4 (1973):.Google Scholar
Yu, Pauline, ed. Voices of the Song Lyric in China.Berkeley: University of California Press, 1999.
Schmidt, Jeremy D.Yang Wan-li.Boston: Twayne, 1977.
Tillman, Hoyt C.Confucian Discourse and Chu Hsi’s Ascendancy.Honolulu: University of Hawai’i Press, 1999.
Tillman, Hoyt C., and Stephen, H. West, eds. China under Jurchen Rule: Essays on Chin Intellectual and Cultural History.Albany: State University of New York Press, 1999.
Tsien, Tsuen-hsuin. Written on Bamboo and Silk: The Beginnings of Chinese Books and Inscriptions.Chicago: University of Chicago Press, 1966.
Wu, K. T.Chinese Printing under Four Alien Dynasties: (916–1368 A.D.)HarvardJournal of Asiatic Studies 13, nos. 3–4 (1950):.Google Scholar
Wanli, Yang. Heaven My Blanket, Earth My Pillow: Poems from Sung Dynasty China. Trans. Chaves, Jonathan. New York: Weatherhill, 1977.
Yoshikawa, Kōjirō. An Introduction to Sung Poetry. Trans. Burton Watson. Cambridge, MA: Harvard University Press, 1966.

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×