Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-t8hqh Total loading time: 0 Render date: 2024-11-25T20:08:13.509Z Has data issue: false hasContentIssue false

36 - Undergraduate Research in Design

from Part III.5 - Arts & Design

Published online by Cambridge University Press:  11 August 2022

Harald A. Mieg
Affiliation:
Humboldt-Universität zu Berlin
Elizabeth Ambos
Affiliation:
Council on Undergraduate Research, Washington DC
Angela Brew
Affiliation:
Macquarie University, Sydney
Dominique Galli
Affiliation:
Indiana University–Purdue University, Indianapolis
Judith Lehmann
Affiliation:
Universidad de Buenos Aires, Argentina
Get access

Summary

Anyone who studies design today is confronted with a professional field that places a variety of demands on future designers. Designers are expected to solve problems of all kinds in innovative ways: They should be able to implement briefings reliably and keep the production method and its costs in mind; they should be able to predict trends reliably; they should know their target groups and deliver products tailored to them. Of course, designers should also be able to communicate, visualize, and present their ideas convincingly. Rarely are these skills combined in one person, which is why designers also need to be able to work in a team. Students should therefore not only be sensitized to design, but also to intercultural differences, and be familiar with and able to classify different social milieus in order to design accordingly for specific target groups (families with small children, for example, hardly ever buy tables with sharp edges). Students should also become aware of their own esthetic preferences and staging strategies. This chapter presents an example of undergraduate research in design and discusses theoretical and conceptual problems of research in design.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Archer, B. (1995). The nature of research. CoDesign – Interdisciplinary Journal of CoCreation in Design and the Arts, January 1995, pp. 6–13.Google Scholar
Baudrillard, J. (2006). The system of objects. Verso.Google Scholar
Beyrow, M., Godau, M., Heidmann, F., Langer, C., Wettach, R., & Mieg, H. A. (2019). Inquiry-based learning in design. In Mieg, H. A. (Ed.), Inquiry-based learning – Undergraduate research: The German multidisciplinary experience (pp. 239247). Springer (open access). https://doi.org/10.1007/978-3-030-14223-0Google Scholar
Bieling, T. (2019). Inklusion als Entwurf. Teilhabe orientierte Forschung über, für und durch Design [Inclusion as design. Participation-oriented research on, for and through design]. Board of International Research in Design. Birkhäuser/DeGruyter.CrossRefGoogle Scholar
Bourdieu, P. (1986). Distinction. Routledge.Google Scholar
Findeli, A. (2004). Die projektgeleitete Forschung: Eine Methode der Designforschung [Project-led research: A method of design research]. In Erstes Design Forschungssymposium. Swiss Design Network symposium 2004 (pp. 4051). Swiss Design Network.Google Scholar
Findeli, A., Brouillet, D., Martin, S., Moineau, C., & Tarrago, R. (2008). Research through design and transdisciplinarity: A tentative contribution to the methodology of design research. In Focused – Current design research projects and methods. Swiss Design Network symposium 2008 (pp. 6791). Swiss Design Network.Google Scholar
Forlizzi, J., Zimmerman, J., & Evenson, S. (2008). Crafting a place for interaction design research in HCI. Design Issues, 24(3), 1929.Google Scholar
Franke, M., & Gloor, A. (2013). Kunst & Wissen. Narrative Strategien als epistemologische Mittel in den ästhetischen Praktiken der Gegenwartskunst [Art & knowledge. Narrative strategies as epistemological tools in the aesthetic practices of contemporary art]. In Caviezel, F., Florenz, B., Franke, M., & Wiesen, J. (Eds.), Forschungsskizzen. Scheidegger & Spiess (pp. 21–29).Google Scholar
Frayling, C. (1993). Research in art and design. Royal College of Art Research Papers, 1.1, pp. 155. Royal College of Art.Google Scholar
Heufler, G. (2016). Design basics. Von der Idee zum Produkt [Design basics. From the idea to the product] (pp. 3261). Niggli.Google Scholar
Jonas, W. (2007). Design research and its meaning to the methodological development of the discipline. In Michel, R. (Ed.), Design research now (pp. 187206). Birkhäuser.Google Scholar
Koskinen, I., Zimmermann, J., Binder, T., Redström, J., & Wensveen, S. (2011). Design research through practice: From the lab, field, and showroom. Morgan Kaufmann.Google Scholar
Schön, D. A. (1983). The reflective practitioner – How professionals think in action. Basic Books.Google Scholar
Weidinger, J. (Ed.) (2013). Entwurfsbasiert Forschen. Universitätsverlag der TU Berlin.Google Scholar
Yee, J. (2017). The researcherly designer/The designerly researcher. In: Vaughan, L. (Ed.), Practice-based design research (pp. 155164). Bloomsbury.CrossRefGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×