Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Introduction
- 159 Shakespeare Festivals and Jubilees
- 160 Shakespeare Behind Bars
- 161 The Folger Shakespeare Library
- 162 Global Diasporas as Reflected in the Work of Keng Sen Ong
- 163 Bollywood
- 164 Shakespeare and First Nations in Canada
- 165 Shakespeare in British Pedagogy
- 166 Coriolanus in South Africa
- 167 The Stratford Shakespeare Trade
- 168 Middle Eastern Shakespeare
- 169 Shakespeare and German Romanticism
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
164 - Shakespeare and First Nations in Canada
from Part XVII - Shakespeare as Cultural Icon
Published online by Cambridge University Press: 17 August 2019
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Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Introduction
- 159 Shakespeare Festivals and Jubilees
- 160 Shakespeare Behind Bars
- 161 The Folger Shakespeare Library
- 162 Global Diasporas as Reflected in the Work of Keng Sen Ong
- 163 Bollywood
- 164 Shakespeare and First Nations in Canada
- 165 Shakespeare in British Pedagogy
- 166 Coriolanus in South Africa
- 167 The Stratford Shakespeare Trade
- 168 Middle Eastern Shakespeare
- 169 Shakespeare and German Romanticism
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 1224 - 1227Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Fortier, Mark. “Undead and Unsafe: Adapting Shakespeare (in Canada).” Shakespeare in Canada: “A World Elsewhere”? Ed. Brydon, Diana and Makaryk, Irena R.. Toronto: U of Toronto P, 2002. 339–52.Google Scholar
Knowles, Ric. Shakespeare and Canada: Essays on Production, Translation, and Adaptation. Brussels: Lang, 2004.Google Scholar
Knutson, Susan. “Introduction: On Canadian Shakespeare.” Canadian Shakespeare. Ed. Knutson, Susan. Toronto: Playwrights Canada, 2010. vii–xiv.Google Scholar
Knutson, Susan. “Trickster Shakespeare? Canada and the Bard.” Literature Compass 3.3 (2006): 547–61.CrossRefGoogle Scholar
Makaryk, Irena R. “Introduction: Shakespeare in Canada: ‘A World Elsewhere’?” Shakespeare in Canada: “A World Elsewhere”? Ed. Brydon, Diana and Makaryk, Irena R.. Toronto: U of Toronto P, 2002. 3–41.Google Scholar
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Further reading
Brydon, Diana, and Makaryk, Irena, eds. Shakespeare in Canada: “A World Elsewhere”? Toronto: U of Toronto P, 2002.CrossRefGoogle Scholar
Knowles, Ric. “Death of a Chief: Watching for Adaptation; or, How I Learned to Stop Worrying and Love the Bard.” Shakespeare Bulletin 25.3 (2007): 53–65.CrossRefGoogle Scholar
McGee, C. E. “Shakespeare Canadiens at the Stratford Festival.” Shakespeare in Canada: “A World Elsewhere”? Ed. Brydon, Diana and Makaryk, Irena R.. Toronto: U of Toronto P, 2002. 141–58.Google Scholar
Moore, Don. “Re-imagining Ethics, Rethinking Politics and Canadian Adaptations of Shakespeare: A Hauntological Theory of Adaptation.” http://www.canadianshakespeares.ca/pdf/moore_ethics_politics.pdf. Accessed 9 February 2011.Google Scholar