Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-586b7cd67f-tf8b9 Total loading time: 0 Render date: 2024-11-26T01:43:42.093Z Has data issue: false hasContentIssue false

Introduction

from Part XVIII - Shakespeare and Popular Culture

Published online by Cambridge University Press:  17 August 2019

Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1261 - 1273
Publisher: Cambridge University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Sources cited

Adorno, Theodor, and Horkheimer, Max. Dialectic of Enlightenment: Philosophical Fragments. Trans. Jephcott, Edmund. Stanford: Stanford UP, 2007.Google Scholar
Albanese, Denise. Extramural Shakespeare. New York: Palgrave Macmillan, 2011.Google Scholar
Bakhtin, Mikhail. Rabelais and His World. Trans. Iswolsky, Hélène. Bloomington: Indiana UP, 2009.Google Scholar
Bourdieu, Pierre. Distinction: A Social Critique of the Judgement of Taste. Trans. Nice, Richard. Cambridge: Harvard UP, 1984.Google Scholar
Burt, Richard. “T(e)en Things I Hate about Girlene Shakesploitation Flicks in the Late 1990s, or, Not So Fast Times at Shakespeare High.” Spectacular Shakespeare: Critical Theory and Popular Cinema. Ed. Starks, Lisa S. and Lehmann, Courtney. Madison: Fairleigh Dickinson UP, 2002. 205–32.Google Scholar
Burt, Richard. Unspeakable ShaXXXspeares: Queer Theory and American Kiddie Culture. Rev. ed. New York: Palgrave Macmillan, 1998.Google Scholar
Césaire, Aimé. Une Tempête [A Tempest]. Trans. Miller, Richard. New York: Theater Communications Group, 1992.Google Scholar
Dryden, John. “An Essay of Dramatick Poesie.” 1668. Rev. 1684. The Works of John Dryden. Vol. 17. Ed. Monk, Samuel H. and Maurer, A. E. Wallace. Berkeley: U of California P, 1971. 2–81.Google Scholar
Gil-Albert, Juan. Valentín: homenaje a William Shakespeare. Barcelona: La Gaya Ciencia, 1974.Google Scholar
Gosson, Stephen. “The Schoole of Abuse.” Shakespeare Society of London Publications 2 (1841). Rpt. in Shakespeare Society of London Publications 15 (1966): 1–51.Google Scholar
Habermas, Jürgen. The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society. Trans. Burger, Thomas and Lawrence, Frederick. Cambridge: MIT P, 1991.Google Scholar
Hall, Stuart. “Encoding/Decoding.” Culture, Media, Language: Working Papers in Cultural Studies, 1972–79. London: Hutchinson, 1980. 128–38.Google Scholar
Lessing, Gotthold. “Seventeenth Letter.” Briefe, die neueste Literatur betreffend. 1759. Rpt. in Werke. Vol. 5. München: Carl Hanser Verlag, 1973. 70–73.Google Scholar
Levine, Lawrence. “Shakespeare in America.” Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America. Cambridge: Harvard UP, 1998. 11–81.Google Scholar
Macdonald, Dwight. “Masscult and Midcult.” Masscult and Midcult: Essays against the American Grain. New York: New York Review of Books, 2011. 3–71.Google Scholar
Mukerji, Chandra, and Schudson, Michael. Rethinking Popular Culture: Contemporary Perspectives in Cultural Studies. Berkeley: U of California P, 1991.Google Scholar
Pope, Alexander. “Preface to The Works of Shakespear.” Selected Prose of Alexander Pope. Ed. Hammond, Paul. Cambridge: Cambridge University Press, 1987. 157–69.Google Scholar
Sidney, Philip. “The Defense of Poesy.” Sir Philip Sidney: The Oxford Authors. Ed. Duncan-Jones, Katherine. Oxford: Oxford UP, 1989. 212–50.Google Scholar
Turtledove, Harry. Ruled Britannia. New York: NAL, 2002.Google Scholar
Yachnin, Paul. “The Populuxe Theatre.” Dawson, Anthony B. and Yachnin, Paul. The Cultures of Playgoing in Shakespeare’s England: A Collaborative Debate. Cambridge: Cambridge University Press, 2001. 38–65.Google Scholar

Further reading

Bristol, Michael. “The Supply Side of Culture.” Big-Time Shakespeare. London: Routledge, 1996. 3–117.Google Scholar
Burt, Richard, ed. Shakespeare after Mass Media. New York: Palgrave, 2002.CrossRefGoogle Scholar
Burt, Richard. Shakespeares after Shakespeare: An Encyclopedia of the Bard in Mass Media and Popular Culture. Westport: Greenwood, 2006.Google Scholar
Collins, Jim, ed. High-Pop: Making Culture into Popular Entertainment. Malden: Wiley-Blackwell, 2002.Google Scholar
Dyer, Richard. “Entertainment and Utopia.” Only Entertainment. 2nd ed. New York: Routledge, 2002. 19–35.Google Scholar
Holderness, Graham. “Shakespeare and Cultural Studies: An Overview.” Shakespeare: The Journal of the British Shakespeare Association 2.1–2 (2006): 228–48.Google Scholar
Holderness, Graham, ed. The Shakespeare Myth. Manchester: Manchester UP, 1988.Google Scholar
Lanier, Douglas. Shakespeare and Modern Popular Culture. Oxford: Oxford UP, 2002.CrossRefGoogle Scholar
Reynolds, Bryan, and Hedrick, Donald, eds. Shakespeare without Class: Misappropriations of Cultural Capital. New York: Palgrave Macmillan, 2000.Google Scholar
Sanders, Julie. Adaptation and Appropriation. New York: Routledge, 2006.Google Scholar
Shaughnessy, Robert, ed. The Cambridge Companion to Shakespeare and Popular Culture. Cambridge: Cambridge University Press, 2007.CrossRefGoogle Scholar
Strinati, Dominick. An Introduction to Theories of Popular Culture. 2nd ed. New York: Routledge, 2004.CrossRefGoogle Scholar
Taylor, Gary. Reinventing Shakespeare: A Cultural History from the Restoration to the Present. London: Hogarth, 1990.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×