Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-dlnhk Total loading time: 0 Render date: 2024-11-29T11:35:17.005Z Has data issue: false hasContentIssue false

13 - The American Civil War

from Part III - Poetics

Published online by Cambridge University Press:  28 January 2010

Kate McLoughlin
Affiliation:
University of Glasgow
Get access

Summary

No single episode in American history has spawned as much literary output as the Civil War. Indeed, it has been estimated that “more than a hundred thousand volumes” have been produced on the subject. This prodigious mass of writing is all the more compelling for the problems it has continued to raise over the location and definition of the conflict, which the American novelist and historian Shelby Foote described as “the crossroads of our nation.” No consensus has yet been reached even as to the cause or purpose of the war. Contemporary Southern partisans such as the United Daughters of the Confederacy will argue about “the truths of history (one of the most important of which is, that the War Between the States was not a rebellion, nor was its underlying cause to sustain slavery).” Thus, the war for “a new birth of freedom,” as Abraham Lincoln described it in his Gettysburg Address of 1863, is by no means universally considered as such even in this century, as the founders of the neo-Confederate organization, The League of the South, make clear in their diatribe against “the heartless brigades of Abraham Lincoln's army of Northern aggression and occupation.” The “War of the Rebellion,” the “War of Northern Aggression,” the “Civil War” - such contradictory terms are only the simplest outward markers of the problems of interpretation and situation. As Jennifer James observes, “The Civil War was nothing if not a conflict rife with conflicts.”

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2009

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×