Book contents
- Frontmatter
- 1 Introduction
- 2 The novel and social/cultural history
- 3 Defoe as an innovator of fictional form
- 4 Gulliver's Travels and the contracts of fiction
- 5 Samuel Richardson
- 6 Henry Fielding
- 7 Sterne and irregular oratory
- 8 Smollett's Humphry Clinker
- 9 Marginality in Frances Burney's novels
- 10 Women writers and the eighteenth-century novel
- 11 Sentimental novels
- 12 Enlightenment, popular culture, and Gothic fiction
- Index
5 - Samuel Richardson
fiction and knowledge
Published online by Cambridge University Press: 28 May 2006
- Frontmatter
- 1 Introduction
- 2 The novel and social/cultural history
- 3 Defoe as an innovator of fictional form
- 4 Gulliver's Travels and the contracts of fiction
- 5 Samuel Richardson
- 6 Henry Fielding
- 7 Sterne and irregular oratory
- 8 Smollett's Humphry Clinker
- 9 Marginality in Frances Burney's novels
- 10 Women writers and the eighteenth-century novel
- 11 Sentimental novels
- 12 Enlightenment, popular culture, and Gothic fiction
- Index
Summary
In the study of nature, men at first all applied themselves, as if in concert, to the satisfaction of the most pressing needs; but when they arrived at knowledge less absolutely necessary, they had to divide it up and each advanced in its course more or less at an equal pace. Thus several sciences have been, as it were, contemporaries; but in the historical ordering of the progress of mind, one can embrace them only in succession.
It is not the same in the encyclopedic ordering of our knowledge. This latter consists in collecting forms of knowledge into the smallest space possible, and in placing, as it were, the philosopher above this vast labyrinth in a highly elevated point of view from which he can perceive at once the principal arts and sciences; see with one glance the objects of his speculations, and the operations which he can perform on those objects; distinguish the general branches of human knowledge, the points where they separate or where they unite; and even catch sight of the secret routes which connect them.
(Jean Le Ronde d'Alembert, Discours preliminaire to Encyclopédie, 1751)Samuel Richardson belonged to the age of the Philosophes, of the wits and men (and sometimes women) of letters who created or contributed to the new projects of mind - the dictionaries, encyclopedias, grammars, histories, that gave order and definition to the pursuit of knowledge. Such landmark guidebooks, among which the great French Encyclopédie figures most prominently, are not only containers (as it were) for what is known; they also make possible the creative work of thought. Such works tend to be lengthy, in order to be thorough, like the Encyclopédie itself, or the multivolume histories such as Charles Burney's History of Music or Edward Gibbon's History of the Decline and Fall of the Roman Empire.
- Type
- Chapter
- Information
- The Cambridge Companion to the Eighteenth-Century Novel , pp. 90 - 119Publisher: Cambridge University PressPrint publication year: 1996