7 - Classical texts
from Part 1 - Contexts and modes
Published online by Cambridge University Press: 28 May 2006
Summary
In what respects is Andrew Marvell's “Horatian Ode” an Horatian ode? Marvell and his contemporaries gathered their ideas of Horace and of Horatian odes from a variety of sources. They would have read the Latin text of Horace's poetry in editions which surrounded it with glosses, notes, parallel passages, and perhaps a prose paraphrase; they would have practiced translating and imitating Horace's poetry at school; they would have read English translations and imitations of Horace by writers such as Jonson or Milton. Horace, therefore, was already a complex text for readers of Marvell's poem, a text which they fashioned for themselves out of all these interpretative materials. Horace's odes spoke of private and domestic experiences - love and desire, both homosexual and heterosexual; friendship and the pleasures of conviviality; the passage of time and the poignant delight which may attend an awareness of life's passing.
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- The Cambridge Companion to English Literature, 1650–1740 , pp. 143 - 162Publisher: Cambridge University PressPrint publication year: 1998
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