Book contents
- The Cambridge Companion to American Gothic
- The Cambridge Companion to American Gothic
- The Cambridge Companion to American Gothic
- Copyright page
- Dedication
- Contents
- Contributors
- Figures
- Acknowledgments
- Introduction
- Part I Periods
- Part II Identities and Locations
- 6 Race and the American Gothic
- 7 American Female Gothic
- 8 Queer American Gothic
- 9 American Frontier Gothic
- 10 Southern American Gothic
- 11 Urban American Gothic
- Part III Genre and Media
- Index
- Cambridge Companions to …
- References
9 - American Frontier Gothic
from Part II - Identities and Locations
Published online by Cambridge University Press: 20 November 2017
Book contents
- The Cambridge Companion to American Gothic
- The Cambridge Companion to American Gothic
- The Cambridge Companion to American Gothic
- Copyright page
- Dedication
- Contents
- Contributors
- Figures
- Acknowledgments
- Introduction
- Part I Periods
- Part II Identities and Locations
- 6 Race and the American Gothic
- 7 American Female Gothic
- 8 Queer American Gothic
- 9 American Frontier Gothic
- 10 Southern American Gothic
- 11 Urban American Gothic
- Part III Genre and Media
- Index
- Cambridge Companions to …
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- The Cambridge Companion to American Gothic , pp. 128 - 140Publisher: Cambridge University PressPrint publication year: 2017
References
Works Cited
Brown, Charles Brockden. Edgar Huntly: or, Memoirs of a Sleep-Walker. Ed. Krause, Sydney J.. Kent, OH: Kent State University Press, 1984.Google Scholar
Brown, Charles Brockden. Wieland; or, The Transformation: An American Tale and Memoirs of Carwin the Biloquist. Ed. Cowie, Alexander. Kent, OH: Kent State University Press, 1977. 1–310.Google Scholar
Christopherson, Bill. The Apparition in the Glass: Charles Brockden Brown’s American Gothic. Athens: University of Georgia Press, 1994.Google Scholar
Crow, Charles L., ed. Companion to American Gothic. Hoboken, NJ: John Wiley & Sons, 2013.Google Scholar
Crow, Charles L. “Fear, Ambiguity, and Transgression: The Gothic Novel in the United States.” A Companion to the American Novel. Ed. Bendixon, Alfred. Hoboken, NJ: Wiley-Blackwell, 2012. 129–46.Google Scholar
Davison, Carol Margaret. “Charles Brockden Brown: Godfather of the American Gothic.” Companion to American Gothic. Ed. Crow, Charles L.. Hoboken, NJ: John Wiley & Sons, 2013. 110–23.Google Scholar
Fiedler, Leslie. Love and Death in the American Novel. New York: Criterion Books, 1960.Google Scholar
Folsom, James K. “Gothicism in the Western Novel.” Frontier Gothic: Terror and Wonder at the Frontier in American Literature. Eds. Mogen, David, Sanders, Scott P., and Karpinski, Joanne B.. London and Toronto: Associated University Presses, 1993. 28–41.Google Scholar
Freud, Sigmund. “The Uncanny.” The Standard Edition of the Complete Psychological Works of Sigmund Freud, Vol. XVII (1917–1919). Trans. Strackey, James. London: Hogarth Press, 1955.Google Scholar
Goddu, Teresa. “The African American Slave Narrative and the Gothic.” Companion to American Gothic. Ed. Crow, Charles L.. Hoboken, NJ: John Wiley & Sons, 2013. 71–83.Google Scholar
Grabo, Norman. The Coincidental Art of Charles Brockden Brown. Chapel Hill: University of North Carolina Press, 1981.Google Scholar
Jarraway, David R. “‘Divided Moment’ Yet ‘One Flesh’: The ‘Queer’ Contours of American Gothic Today.” Gothic Studies 2.1 (2000): 90–103.Google Scholar
Kerr, Howard, Crowley, John W., and Crow, Charles L., eds. The Haunted Dusk: American Supernatural Fiction 1820 – 1920. Athens: University of Georgia Press, 1984.Google Scholar
Mather, Cotton. Wonders of the Invisible World: Observations Historical as well Theological, upon the Nature, the Number, and the Operations of the Devil. Ed. Smolinski, Reiner. Digital Commons@University of Nebraska-Lincoln: Electronic Texts in American Studies. Paper 19. Web. 15 July 2016.Google Scholar
Mogen, David, Sanders, Scott P., and Karpinski, Joanne B.. Introduction. Frontier Gothic: Terror and Wonder at the Frontier in American Literature. Eds. Mogen, David, Sanders, Scott P., and Karpinski, Joanne B.. London and Toronto: Associated University Presses, 1993.Google Scholar
Morrison, Toni. Playing in the Dark: Whiteness and the Literary Imagination. New York: Vintage Books, 1992.Google Scholar
Procházka, Martin. “American Ruins and the Ghost Town Syndrome.” Companion to American Gothic. Ed. Crow, Charles L.. Hoboken, NJ: John Wiley & Sons, 2013. 29–40.Google Scholar
Poe, Edgar Allan. The Narrative of Arthur Gordon Pym of Nantucket. 1838. New York: Penguin Classics, 1986.Google Scholar
Rowlandson, Mary. The Soveraignty and Goodness of God… Narrative of the Captivity and Restauration of Mrs. Mary Rowlandson. In Early Americas Digital Archive. University of Maryland Technology in the Humanities, 2002. Web. 15 July 2016.Google Scholar
Sivils, Matthew Wynn. “Indian Captivity Narratives and the Origins of American Frontier Gothic.” Companion to American Gothic. Ed. Crow, Charles L.. Hoboken, NJ: John Wiley & Sons, 2013. 84–95.Google Scholar
Walsh, J. Christopher. In the Wake of the Sun: Navigating the Southern Works of Cormac McCarthy. Knoxville: Newfound Press, 2010.Google Scholar
Weinstock, Jeffrey Andrew. “American Monsters.” Companion to American Gothic. Ed. Crow, Charles L.. Hoboken, NJ: John Wiley & Sons, 2013. 41–55.Google Scholar
Weinstock, Jeffrey Andrew. Charles Brockden Brown. Gothic Authors: Critical Revisions. Cardiff: University of Wales Press, 2011.Google Scholar
Wester, Maisha L. “Toni Morrison’s Gothic: Headless Brides and Haunted Communes.” Companion to American Gothic. Ed. Crow, Charles L.. Hoboken, NJ: John Wiley & Sons, 2013. 378–91.Google Scholar
- 2
- Cited by