Book contents
- The Cambridge Berlioz Encyclopedia
- The Cambridge Berlioz Encyclopedia
- Copyright page
- Contents
- Contributors
- Editor’s Preface
- Acknowledgements
- Guide to Using the Encyclopedia
- Bibliographical Abbreviations (for Publication Details see Bibliography)
- Chronology
- Dictionary
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- Z
- Book part
- Select Bibliography Including Websites
- Index
- References
O
Published online by Cambridge University Press: 24 November 2017
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Book contents
- The Cambridge Berlioz Encyclopedia
- The Cambridge Berlioz Encyclopedia
- Copyright page
- Contents
- Contributors
- Editor’s Preface
- Acknowledgements
- Guide to Using the Encyclopedia
- Bibliographical Abbreviations (for Publication Details see Bibliography)
- Chronology
- Dictionary
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- Z
- Book part
- Select Bibliography Including Websites
- Index
- References
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- The Cambridge Berlioz Encyclopedia , pp. 232 - 239Publisher: Cambridge University PressPrint publication year: 2017
References
Campbell, Stuart, V. F. Odoyevsky and the Formation of Russian Musical Taste in the Nineteenth Century (New York: Garland, 1989)Google Scholar
Cornwell, Neil, The Life, Times and Milieu of V. F. Odoyevsky, 1804–1869 (London: Athlone Press, 1986)Google Scholar
Dolenko, Elena and Ahouse, John, ‘Russian articles and reviews by Vladimir Odoyevsky’, in Voyager, 302–13Google Scholar
Coudroy-Saghaï, Marie-Hélène, ‘Berlioz et l’opéra-comique au prisme des ses écrits’, in Berlioz, encore et pour toujours, 87–102Google Scholar
Macdonald, Hugh, Berlioz’s Orchestration Treatise. A Translation and Commentary; ‘Berlioz’s Orchestration: Human or Divine’, MT CX (1969), 255–8Google Scholar
Barsham, Eve, ‘Table of numbers (1762, 1774, 1866)’, in Howard, Patricia (ed.), C. W. von Gluck: Orfeo (Cambridge University Press, 1981), 127–34Google Scholar
Fauquet, Joël-Marie, ‘L’Orphée et Eurydice de Gluck et le Berlioz d’Orphée’, L’Avant-Scène Opéra 192 (1999), 46–65; ‘Berlioz’s version of Gluck’s Orphée’, in BloomSt, 189–253Google Scholar
Bartoli, Jean-Pierre, ‘Les Ouvertures ou la dramatisation du style symphonique’, in L’Herne, 96–104Google Scholar
Taïeb, Patrick, ‘La musique dans les séances publiques annuelles de l’Académie des beaux-arts: le cas des ouvertures’, in Concours de prix de Rome, 165–88Google Scholar