Book contents
- Frontmatter
- Contents
- Notes on Contributors
- Introduction
- 1 A Venetian Operatic Contract of 1714
- 2 What Choirs Also Sang: Aspects of Provincial Music Publishing in Late-nineteenth-century England
- 3 The Modernisation of London Concert Life around 1900
- 4 Debussy, Durand et Cie: A French Composer and His Publisher (1884–1917)
- 5 Nadia Boulanger (1887–1979): The Teacher in the Marketplace
- 6 Copyright as a Component of the Music Industry
- 7 Illegality and the Music Industry
- 8 The Tarnished Image? Folk ‘Industry’ and the Media
- 9 Collective Responsibilities: The Arts Council, Community Arts and the Music Industry in Ireland
- 10 Paying One's Dues: The Music Business, the City and Urban Regeneration
- 11 Learning to Crawl: The Rapid Rise of Music Industry Education
- Index of Personal Names
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Contents
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Book contents
- Frontmatter
- Contents
- Notes on Contributors
- Introduction
- 1 A Venetian Operatic Contract of 1714
- 2 What Choirs Also Sang: Aspects of Provincial Music Publishing in Late-nineteenth-century England
- 3 The Modernisation of London Concert Life around 1900
- 4 Debussy, Durand et Cie: A French Composer and His Publisher (1884–1917)
- 5 Nadia Boulanger (1887–1979): The Teacher in the Marketplace
- 6 Copyright as a Component of the Music Industry
- 7 Illegality and the Music Industry
- 8 The Tarnished Image? Folk ‘Industry’ and the Media
- 9 Collective Responsibilities: The Arts Council, Community Arts and the Music Industry in Ireland
- 10 Paying One's Dues: The Music Business, the City and Urban Regeneration
- 11 Learning to Crawl: The Rapid Rise of Music Industry Education
- Index of Personal Names
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- The Business of Music , pp. v - viPublisher: Liverpool University PressPrint publication year: 2002