Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-xbtfd Total loading time: 0 Render date: 2024-11-05T13:46:53.830Z Has data issue: false hasContentIssue false

24 - Ella Du Cane (1874-1943): Watercolourist

Published online by Cambridge University Press:  30 April 2022

Get access

Summary

INTRODUCTION

ELLA MARY DU Cane was a watercolourist, most notably of flowers and gardens. Many of her paintings were used to illustrate the pages of A & C Black's popular colour books, with text often written by her sister Florence. In particular, Ella was admired for her depiction of Japanese flowers and gardens, which she painted with great exuberance. She was an inspiration to others at a time when Japanese gardens were very fashionable in the West, and when not many westerners had actually been to Japan. She helped to popularize the Japanese garden, introducing it to a wider audience.

She was born in Hobart, Tasmania, the third daughter of politician and then-Governor of Tasmania, Sir Charles Du Cane. Soon after she was born the Du Cane family returned to England, where Ella grew up in Braxted Park, Essex, the family estate.

Ella's mother was Georgiana Susan Copley, daughter of Lord Lyndhurst (1772–1863), three times Lord Chancellor under Prime Ministers George Canning, the Viscount Goderich, the Duke of Wellington and Sir Robert Peel. Her maternal great grandfather was the American portraitist John Singleton Copley (1738–1815).

She had no formal training as a painter, apart from ‘a few lessons in drawing and perspective’ from her governess, and one or two lessons from the painter Sir James Linton (1840–1916), but her talent, and knowledge of, and enthusiasm for, gardens, together with her family connections, brought private commissions and invitations to visit the rich and titled, and with it came commercial success.

EARLY CAREER

The Royal Family were early admirers, particularly Queen Victoria and the Prince of Wales. Between 1895 and 1898 the Queen herself commissioned and purchased no fewer than twenty-six watercolours, including paintings of the gardens at Windsor, Frogmore and Osborne. Several views of Osborne were given to the Empress Frederick (Victoria's eldest daughter), the Queen referring to Ella as ‘a very talented young Lady’. Both the Queen and the Prince of Wales visited her exhibitions at Graves’ Galleries in Pall Mall, and later, when the Prince was king (Edward VII), he continued to purchase a number of paintings himself.

Ella first exhibited at the Annual Exhibition of the Royal Institute of Painters in Water Colours in 1893, and appeared at regular intervals at the Graves’ Galleries, the Fine Art Society, and the Modern Gallery.

Type
Chapter
Information
Publisher: Amsterdam University Press
Print publication year: 2015

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×