Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgments
- Introduction
- 1 35 Years On: Is the ‘Text’, Once Again, Unattainable?
- 2 To Attain the Text. But Which Text?
- 3 Compounding the Lyric Essay Film : Towards a Theory of Poetic Counter-Narrative
- 4 ‘Every love story is a ghost story’ : The Spectral Network of Laurie Anderson’s Heart of a Dog (2015)
- 5 Lines of Interpretation in Fields of Perception and Remembrance : The Multiscreen Array as Essay
- 6 Deborah Stratman’s The Illinois Parables (2016) : Intellectual Vagabond and Vagabond Matter
- 7 Rethinking the Human, Rethinking the Essay Film : The Ecocritical Work of The Pearl Button
- 8 Montage Reloaded: From Russian Avant-Garde to the Audiovisual Essay
- 9 ‘All I have to offer is myself’: The Film-Maker as Narrator
- 10 The Shudder of a Cinephiliac Idea? Videographic Film Studies Practice as Material Thinking
- 11 The Home Movie as Essay Film: On Making Memory Posthumously
- Index
Index
Published online by Cambridge University Press: 21 November 2020
- Frontmatter
- Dedication
- Contents
- Acknowledgments
- Introduction
- 1 35 Years On: Is the ‘Text’, Once Again, Unattainable?
- 2 To Attain the Text. But Which Text?
- 3 Compounding the Lyric Essay Film : Towards a Theory of Poetic Counter-Narrative
- 4 ‘Every love story is a ghost story’ : The Spectral Network of Laurie Anderson’s Heart of a Dog (2015)
- 5 Lines of Interpretation in Fields of Perception and Remembrance : The Multiscreen Array as Essay
- 6 Deborah Stratman’s The Illinois Parables (2016) : Intellectual Vagabond and Vagabond Matter
- 7 Rethinking the Human, Rethinking the Essay Film : The Ecocritical Work of The Pearl Button
- 8 Montage Reloaded: From Russian Avant-Garde to the Audiovisual Essay
- 9 ‘All I have to offer is myself’: The Film-Maker as Narrator
- 10 The Shudder of a Cinephiliac Idea? Videographic Film Studies Practice as Material Thinking
- 11 The Home Movie as Essay Film: On Making Memory Posthumously
- Index
Summary
- Type
- Chapter
- Information
- Beyond the Essay FilmSubjectivity, Textuality and Technology, pp. 241 - 245Publisher: Amsterdam University PressPrint publication year: 2020