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“Crimes That Delight Us”: Peter Ackroyd's Dan Leno and the Limehouse Golem

from W kręgu literatury, języka i dalej…

Published online by Cambridge University Press:  05 September 2014

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Summary

Introduction: Ackroyd's London

The setting of Dan Leno and the Limehouse Golem exemplifies the writer's view of London as composed of multiple layers of history and tradition which coexist and accrue to constitute its identity. Likewise, his other novels – Hawksmoor, The great fire of London, The house of Doctor Dee as well his fanciful history of the city, entitled London: the biography convey the writer's notion of London as a living being, overpowering and determining the lives of its inhabitants. Despite its mutability and the multifariousness of its material shape, London, in Ackroyd's view, retains its stable identity sub specie aeternitatis. In his essay “Some old haunts” the writer conveys his impressions of London's streets:

it is possible to walk down a street and glimpse a face, or gesture, which seems to have sprung from some past time. These same gestures and movements, even the very words themselves, have been repeated and revived over many generations in that precise place. I have seen medieval faces, Elizabethan faces, eighteenth-century faces, and in that recognition I realized that in London it is possible to understand everything within the eye of eternity. (qtd. in Keen 2000: 15)

As represented by Ackroyd, London is essentially split into its visible, changeable, material form and its immaterial, unchanging spirit.

Type
Chapter
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Beyond Sounds and Words
Volume in Honour of Janina Aniela Ozga
, pp. 91 - 102
Publisher: Jagiellonian University Press
Print publication year: 2011

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