Book contents
- Frontmatter
- Dedication
- Frontispiece
- Contents
- List of Illustrations
- Preface
- Acknowledgements
- Abbreviations
- Note on Transliteration and Sources
- 1 Earliest and Lifelong Russophilia
- 2 Britten and Shostakovich, 1934–63
- 3 Britten and Prokofiev
- 4 Britten and Stravinsky
- 5 Hospitality and Politics
- 6 Pushkin and Performance
- 7 Britten and Shostakovich Again: Dialogues of War and Death, 1963–76
- Conclusion
- Appendices
- 1 Letter from Lord Armstrong of Ilminster
- 2 Interview with Alan Brooke Turner
- 3 Interview with Keith Grant
- 4 Interview with Lord Harewood
- 5 Interview with Victor Hochhauser
- 6 Interview with Lilian Hochhauser
- 7 Letter from Sir Charles Mackerras
- 8 Interview with Donald Mitchell
- 9 Interview with Sir John Morgan
- 10 Interview with Gennady Rozhdestvensky
- 11 Interview with Irina Shostakovich
- 12 Letter from Boris Tishchenko
- 13 Interview with Oleg Vinogradov
- 14 Interview with Galina Vishnevskaya
- 15 Letters from Dmitri Smirnov and Elena Firsova
- 16 Letter from Vladislav Chernushenko
- 17 Britten's Volumes of Tchaikovsky's Complete Works
- Bibliography and Sources
17 - Britten's Volumes of Tchaikovsky's Complete Works
from Appendices
Published online by Cambridge University Press: 25 October 2017
- Frontmatter
- Dedication
- Frontispiece
- Contents
- List of Illustrations
- Preface
- Acknowledgements
- Abbreviations
- Note on Transliteration and Sources
- 1 Earliest and Lifelong Russophilia
- 2 Britten and Shostakovich, 1934–63
- 3 Britten and Prokofiev
- 4 Britten and Stravinsky
- 5 Hospitality and Politics
- 6 Pushkin and Performance
- 7 Britten and Shostakovich Again: Dialogues of War and Death, 1963–76
- Conclusion
- Appendices
- 1 Letter from Lord Armstrong of Ilminster
- 2 Interview with Alan Brooke Turner
- 3 Interview with Keith Grant
- 4 Interview with Lord Harewood
- 5 Interview with Victor Hochhauser
- 6 Interview with Lilian Hochhauser
- 7 Letter from Sir Charles Mackerras
- 8 Interview with Donald Mitchell
- 9 Interview with Sir John Morgan
- 10 Interview with Gennady Rozhdestvensky
- 11 Interview with Irina Shostakovich
- 12 Letter from Boris Tishchenko
- 13 Interview with Oleg Vinogradov
- 14 Interview with Galina Vishnevskaya
- 15 Letters from Dmitri Smirnov and Elena Firsova
- 16 Letter from Vladislav Chernushenko
- 17 Britten's Volumes of Tchaikovsky's Complete Works
- Bibliography and Sources
Summary
Tchaikovsky: Complete Collected Works [Chaĭkovskiĭ Polnoe Sobranie Sochineniĭ] (Moscow: 1940–71; vols. 2 and 43 also published in Leningrad) (BPL). For the contents of individual volumes, search for ‘Pyotr Tchaikovsky: Complete Collected Works’ on the International Music Score Library Project website: <imslp.org>.
Key
An asterisk indicates that the volume is inscribed with a Musica Rara [25 Newport Court, London W2] or English price marking, so was probably obtained by Britten between 1955 and his first visit to the USSR in 1963. Boldface indicates a volume listed at the rear of Britten's 1963 pocket diary under the heading ‘Tschaikov. Ed vols not got (last one got in 62)’ – i.e. a volume not then in his possession.
Operas
1A (1953)
1B (1953)
1C (1953)
1 (additional volume) (1953) [two copies; one *]
2 (1950)
3A (1959)*
3B (1959)*
4 (1948) [Evgeniĭ Onegin, full score; signed ‘Benjamin Britten’ with corrections by Britten on pp. 152 and 160]
5A (1964)
5B (1964)
6A (1969)
6B (1969)
7A (1951)*
7B (1951)
8A (1948)*
8B (1949)
9A (1950)*
9B (1950)*
9C (1950)
Ballets
11A (1957)
11B (1957)
12A (1952)*
12B (1952)*
12C (1952)*
12D (1952)*
13A (1955)
13B (1955) [minor annotations, possibly by Britten, on p. 81]
Music for Dramatic Productions 14 (1962)*
Full Scores of Works for Orchestra
15A (1957)
15B (1954)*
16A (1949)*
16B (1949)*
17A (1963)*
17B (1963)*
18 (1949)*
19A (1948)*
19B (1948)* [signed ‘Benjamin Britten’; ‘Reves d'enfant’ from Suite No. 2, annotated for performance by Britten (pp. 144–75)]
20 (1946) [signed ‘Benjamin Britten’; Suite No. 4, Mozartiana, annotated for performance by Britten (pp. 224–98)]
21 (1952)
22(1960)
23 (1950) [Romeo and Juliet, 1880 version, annotated for performance by Britten (pp. 89–195)]
24 (1961)*
25 (1961)*
26(1961)
Vocal Works with Orchestra
27 (1960)* [contains an invoice from Musica Rara, dated 9 January 1962, for a subscription to Pears]
Works for Piano with Orchestra
28 (1955)*
29 (1954)
Works for Violin with Orchestra
30A (1949)
- Type
- Chapter
- Information
- Benjamin Britten and Russia , pp. 328 - 331Publisher: Boydell & BrewerPrint publication year: 2016