Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-lj6df Total loading time: 0 Render date: 2024-11-09T19:48:03.406Z Has data issue: false hasContentIssue false

Chapter 4 - And the Winner Is? Aftermath, Afterlives, After Shows, and Alternative Shows

Published online by Cambridge University Press:  27 January 2021

Get access

Summary

Aftermath

How seriously did the public take the Battle? It is difficult, perhaps impossible, to say at this remove. Certainly, there was more interest in large cities, if only because not everybody in outlying areas had to choose which program to hear. Variety published a list of cities with CBS stations, but no NBC affiliate, and on the same page a list of cities with NBC outlets, but without a CBS station. NBC did not broadcast in Austin, Texas or Green Bay, Wisconsin or Mobile, Alabama; in all forty-three radio markets could hear the Columbia Shakespeare Cycle that could not near the NBC broadcasts. CBS did not broadcast in Albuquerque, New Mexico or Boise, Idaho or Jackson, Mississippi; in all forty-six markets could hear Streamlined Shakespeare that could not hear the CBS broadcasts. The producers and actors at the Oregon Shakespearean Festival, then in its third year, heard neither show. The only radio station in that part of Southern Oregon, KMED, was unaffiliated, carrying neither CBS nor NBC programming. KMED became a long time NBC affiliate on September 15, but the Battle of the Bard ended in August, so both programs completely bypassed one of the two Shakespeare festivals in the United States at that time. It was a different matter for cities with both networks.

William A. Brady, who played Claudius for Columbia, was quoted in the New York Times as saying he missed the common use of Shakespearean phrases by the American people that he heard growing up in New York's Bowery, and was confident that these broadcasts would restore phrases such as “Lay on, Macduff” and “To be, or not to be” as idioms. Since these phrases are common idioms today, though the garbled “Lead on, Macduff” is what we actually hear, it may be tempting to claim that these shows gave Brady his wish, but I doubt that they did. Brady's sampling is too anecdotal to be meaningful, and so is mine. I have been unable to find an article that studies the proliferation of Shakespearean phrases after these broadcasts and doubt that one was written. The same newspaper article posted the question, “Is Shakespeare too highbrow for radio?” It is a good question.

Type
Chapter
Information
The Battle of the Bard
Shakespeare on US Radio in 1937
, pp. 67 - 80
Publisher: Amsterdam University Press
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×