Book contents
- Ancient Theatre and Performance Culture around the Black Sea
- Frontispiece
- Ancient Theatre and Performance Culture around the Black Sea
- Copyright page
- Contents
- Figures
- Notes on Contributors
- Preface
- Abbreviations
- Map
- Part I Approaches
- Part II Places
- 4 The Tragedians of Heraclea and Comedians of Sinope
- 5 The Phanagoria Chous
- 6 Theatre and Performance in the Bosporan Kingdom
- 7 Ancient Theatre in Tauric Chersonesus
- 8 Theatre at Olbia in the Black Sea
- 9 Celebrating Dionysus in Istros and Tomis: Theatrical Manifestations and Artistic Life in Two Ionian Cities of the Black Sea
- 10 Ancient Theatres and Theatre Art of the Bulgarian Black Sea Coast and Thracian Hinterland
- Part III Plays
- Part IV Performative Presences
- Epilogue: Dancing around the Black Sea: Xenophon, Pseudo-Scymnus and Lucian’s Bacchants
- References
- Black Sea Index
10 - Ancient Theatres and Theatre Art of the Bulgarian Black Sea Coast and Thracian Hinterland
from Part II - Places
Published online by Cambridge University Press: 12 November 2019
- Ancient Theatre and Performance Culture around the Black Sea
- Frontispiece
- Ancient Theatre and Performance Culture around the Black Sea
- Copyright page
- Contents
- Figures
- Notes on Contributors
- Preface
- Abbreviations
- Map
- Part I Approaches
- Part II Places
- 4 The Tragedians of Heraclea and Comedians of Sinope
- 5 The Phanagoria Chous
- 6 Theatre and Performance in the Bosporan Kingdom
- 7 Ancient Theatre in Tauric Chersonesus
- 8 Theatre at Olbia in the Black Sea
- 9 Celebrating Dionysus in Istros and Tomis: Theatrical Manifestations and Artistic Life in Two Ionian Cities of the Black Sea
- 10 Ancient Theatres and Theatre Art of the Bulgarian Black Sea Coast and Thracian Hinterland
- Part III Plays
- Part IV Performative Presences
- Epilogue: Dancing around the Black Sea: Xenophon, Pseudo-Scymnus and Lucian’s Bacchants
- References
- Black Sea Index
Summary
It was established a long time ago that the emergence of the ancient Greek theatre is connected to the Dionysian city festivals in Athens, and they are estimated to have begun in about the early sixth century BC. Later on, with the introduction of Greek drama in the mid- to late-sixth century, and comedy in the early fifth century BC, theatre already developed as a specific genre of art of ‘seeing and hearing’, as Green and Handley pertinently call it. Soon afterwards, the theatre emerged as a powerful and influential part of both political and cultural life, as well as in the everyday experience of the ancient Greeks and their cities.
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- Information
- Ancient Theatre and Performance Culture Around the Black Sea , pp. 177 - 222Publisher: Cambridge University PressPrint publication year: 2019