Book contents
- Frontmatter
- Contents
- Acknowledgements
- Prologue - Men with Glass Bodies
- Introduction
- Performance Documentation 1: Holoman; Digital Cadaver
- Digital Cadavers and Virtual Dissection
- ‘Who Were You?’: The Visible and the Visceral
- Performance Documentation 2: Excavations: Fresh but Rotten
- The Anatomy Lesson of Professor Moxham
- ‘Be not Faithless But Believing’: Illusion and Doubt in the Anatomy Theatre
- Performance Documentation 3: De Anatomische Les
- Of Dissection and Technologies of Culture in Actor Training Programs – an Example from 1960s West Germany
- Ocular Anatomy, Chiasm, and Theatre Architecture as a Material Phenomenology in Early Modern Europe
- Performance Documentation 4: Camillo – Memo 4.0: The Cabinet of Memories – A Tear Donnor Session
- Martin, Massumi, and the Matrix
- Performance Documentation 5: Sensing Presence no 1: Performing a Hyperlink System
- ‘Where Are You Now?’: Locating the Body in Contemporary Performance
- Performance Documentation 6: Under My Skin
- Anatomies of Live Art
- Performance Documentation 7: Crash
- Restaging the Monstrous
- Delirium of the Flesh: ‘All the Dead Voices’ in the Space of the Now
- Performance Documentation 8: Körper
- Operating Theatres: Body-bits and a Post-apartheid Aesthetics
- Index
Book contents
- Frontmatter
- Contents
- Acknowledgements
- Prologue - Men with Glass Bodies
- Introduction
- Performance Documentation 1: Holoman; Digital Cadaver
- Digital Cadavers and Virtual Dissection
- ‘Who Were You?’: The Visible and the Visceral
- Performance Documentation 2: Excavations: Fresh but Rotten
- The Anatomy Lesson of Professor Moxham
- ‘Be not Faithless But Believing’: Illusion and Doubt in the Anatomy Theatre
- Performance Documentation 3: De Anatomische Les
- Of Dissection and Technologies of Culture in Actor Training Programs – an Example from 1960s West Germany
- Ocular Anatomy, Chiasm, and Theatre Architecture as a Material Phenomenology in Early Modern Europe
- Performance Documentation 4: Camillo – Memo 4.0: The Cabinet of Memories – A Tear Donnor Session
- Martin, Massumi, and the Matrix
- Performance Documentation 5: Sensing Presence no 1: Performing a Hyperlink System
- ‘Where Are You Now?’: Locating the Body in Contemporary Performance
- Performance Documentation 6: Under My Skin
- Anatomies of Live Art
- Performance Documentation 7: Crash
- Restaging the Monstrous
- Delirium of the Flesh: ‘All the Dead Voices’ in the Space of the Now
- Performance Documentation 8: Körper
- Operating Theatres: Body-bits and a Post-apartheid Aesthetics
- Index
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- Anatomy LivePerformance and the Operating Theatre, pp. 263 - 270Publisher: Amsterdam University PressPrint publication year: 2008