Book contents
- Frontmatter
- Contents
- Illustrations
- Acknowledgements
- Overture: rites of reparation
- Chapter 1 Repetition/reproduction: the DNA of black expressive culture
- Chapter 2 Recuperating black diasporic history
- Chapter 3 Reenacting the Harlem Renaissance
- Chapter 4 Resisting shame and offering praise and worship
- Chapter 5 Resisting death: the blues bravado of a ghost
- Chapter 6 Rituals of repair
- Chapter 7 Reconstitution
- Epilogue Black movements
- Notes
- Bibliography
- Index
Chapter 7 - Reconstitution
Suzan-Lori Parks' Topdog/Underdog
Published online by Cambridge University Press: 05 November 2011
- Frontmatter
- Contents
- Illustrations
- Acknowledgements
- Overture: rites of reparation
- Chapter 1 Repetition/reproduction: the DNA of black expressive culture
- Chapter 2 Recuperating black diasporic history
- Chapter 3 Reenacting the Harlem Renaissance
- Chapter 4 Resisting shame and offering praise and worship
- Chapter 5 Resisting death: the blues bravado of a ghost
- Chapter 6 Rituals of repair
- Chapter 7 Reconstitution
- Epilogue Black movements
- Notes
- Bibliography
- Index
Summary
Suzan-Lori Parks' Pulitzer Prize-winning play Topdog/Underdog opens with Booth, one of the two characters, delivering the following lines while practicing his three-card monte routine:
Watch me close watch me close now: who-see-thuh-red-card-who-see-thuh-red-card? I-see-thuh-red-card. Thuh-red-card-is-thuh-winner. Pick-thuh-red-card-you-pick-uh-winner. Pick-uh-black-card-you-pick-uh-loser. Theres-thuh-loser, yeah, theres-thuh-black-card,theres-thuh-other-loser-and-theres-thuh-red-card, thuh-winner.
(Rest)
Watch me close watch me close now: 3-Card-throws-thuh-cards-lightning-fast. 3-Card-that's-me-and-Ima-last. Watch-me-throw-cause-here-I-go. One-good- pickll-get-you-in, 2-good-picks-and-you-gone-win. See-thuh-red-card-see-thuh-red-card-who-see-thuh-red-card?
- Type
- Chapter
- Information
- The African American Theatrical BodyReception, Performance, and the Stage, pp. 231 - 260Publisher: Cambridge University PressPrint publication year: 2011