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This series provides a high-quality selection of early printings of literary works, textual editions, anthologies and literary criticism which are of lasting scholarly interest. Ranging from Old English to Shakespeare to early twentieth-century work from around the world, these books offer a valuable resource for scholars in reception history, textual editing and literary studies.

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451 results in Cambridge Library Collection - Literary Studies

Page 22 of 23

The Life of Timon of Athens
  • The Cambridge Dover Wilson Shakespeare
  • William Shakespeare
  • Edited by John Dover Wilson, J. C. Maxwell
  • Published online:
    07 September 2010
    Print publication:
    20 July 2009
    First published in:
    1957
  • John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

Music on the Shakespearian Stage
  • George Herbert Cowling
  • Published online:
    07 September 2010
    Print publication:
    20 July 2009
    First published in:
    1913
  • George H. Cowling (1881–1946), Lecturer in English at the University of Leeds and subsequently Professor of English at Melbourne, wrote this study as his dissertation, inspired by his own love of music. He shows what kinds of music were used on the Elizabethan stage, and explains where in the theatre, at which point during the plays and with which instruments and personnel the music was performed. He also assesses what both songs and incidental music contributed to the meaning and the performance of Shakespeare, going back to examine the roots of dramatic music in the use of religious music in the medieval Mystery plays. He offers a lively and approachable introduction to thesubject that provides a way into the field of early modern music in the theatre, and a foundation for more detailed critical work.

The Henry Irving Shakespeare
  • Volume 1
  • William Shakespeare
  • Edited by Henry Irving, Frank A. Marshall
  • Published online:
    29 August 2010
    Print publication:
    20 July 2009
    First published in:
    1888
  • Henry Irving, the influential and controversial Victorian actor, was closely involved in the publication of this distinctive Shakespeare edition. As an actor, his concern was largely with the intellectual project of seeing each play as a unified work, rather than with producing strong emotional effects in the audience. In the words of his obituary in The Times, he appealed to scholars 'by his reverent and often acute treatment of the text', and accustomed playgoers to look for 'more than empty amusement'. To the edition, he brought a sense of the plays in performance which has never been equalled before or since. Addressing a general readership, he both included notes on cuts used by professional companies and suggested others that would facilitate amateur performances. Gordon Browne's illustrations, which suggest the contemporary styles of stage costume, are another attractive feature of this edition, which will appeal to Shakespearians and theatre historians alike.

A Memoir of Jane Austen
  • Austen Leigh
  • Published online:
    29 August 2010
    Print publication:
    20 July 2009
    First published in:
    1870
  • In the mid-nineteenth century, as Jane Austen's fame grew, her family was under increasing pressure to provide details about her life and work. Her nephew James Edward Austen-Leigh, who had known her personally, collected a series of reminiscences, letters and family documents and put them together in this very first full-length biography of Jane Austen, published in 1870. Concentrating on his aunt Jane's life in rural southern England, he made public for the first time the domestic and social context which nurtured her and within which she wrote her famous novels. He also gave previously unknown details about her efforts to publish her work, including some of her correspondence. At the same time he created a partial portrait of a modest, unassuming and devout woman, living 'in entire seclusion from the literary world', which has influenced Austen scholarship ever since.

The Bowdler Shakespeare
  • In Six Volumes; In which Nothing Is Added to the Original Text; but those Words and Expressions Are Omitted which Cannot with Propriety Be Read Aloud in a Family
  • Volume 2
  • William Shakespeare
  • Edited by Thomas Bowdler
  • Published online:
    29 August 2010
    Print publication:
    20 July 2009
    First published in:
    1853
  • 'The Family Shakspeare: in which nothing is added to the original text, but those words and expressions are omitted which cannot with propriety be read in a family.' These words on the title pages of this edition gave rise to the verb 'to bowdlerise' - to remove or modify text considered vulgar or objectionable. Although the first edition was in fact created by Henrietta Maria Bowdler (1750–1830) and published in 1807, the many subsequent editions were published under the name of her brother Thomas (1754–1825), whose other enthusiasms were prison reform and chess. The Bowdlers' work became enormously popular as the scandal-ridden Regency gave way to Victorian respectability. This volume, from the 1853 edition, contains Love's Labour's Lost, The Merchant of Venice, As You Like It, All's Well that Ends Well, The Taming of the Shrew, The Winter's Tale and The Comedy of Errors.

Characteristics of Women
  • Moral, Poetical and Historical
  • Volume 1
  • Anna Jameson
  • Published online:
    29 August 2010
    Print publication:
    20 July 2009
    First published in:
    1832
  • Characteristics of Women (1832) by Anna Jameson was the first attempt by a woman to analyse the characteristics of twenty-three heroines of Shakespeare's plays. In this book, Jameson, an English writer, feminist, and art historian, addresses problems of women's education and participation in public life while providing insightful and original readings of Shakespeare's women. She divides the heroines into four classes, two of which — characters of intellect and characters of passion and imagination — are discussed in Volume 1. Portia, Isabella, Beatrice, and Rosalind — the characters of intellect — are sufficiently connected by that common tie and are distinct from Juliet, Helena, Perdita, Viola, Ophelia, and Miranda, who are categorised as characters of passion and imagination. Illustrated with fifty attractive etchings made by the author herself, this eloquent book is a must-have for Shakespeare collectors, students of women's studies and others interested in nineteenth-century literary criticism.

Letters of Jane Austen
  • Volume 2
  • Jane Austen
  • Edited by Edward Hugessen Knatchbull-Hugessen Lord Brabourne
  • Published online:
    29 August 2010
    Print publication:
    20 July 2009
    First published in:
    1884
  • The son of Jane Austen's 'favourite niece' Fanny Knight, Lord Brabourne, had inherited a large number of letters from Jane Austen including some to her sister Cassandra and others to members of the Knight family. The Letters of Jane Austen (1884) publishes these letters for the first time, and sets them in a family context drawn from the reminiscences of those who knew Austen personally. This second of two volumes presents a series of letters written between 1808 and her death in 1817, that is, mostly in the years she was settled at Chawton in Hampshire; in addition Brabourne includes a little group of poems, and other family documents. The letters cover the years of her career as a published author, and include many fascinating comments about her own and others' writings, as well as observations about the world around her.

The Sweet Silvery Sayings of Shakespeare on the Softer Sex
  • William Shakespeare
  • Published online:
    29 August 2010
    Print publication:
    20 July 2009
    First published in:
    1877
  • The anonymous 'Old Soldier' who compiled this anthology of passages from Shakespeare, published in 1877, states in the preface that he was inspired to make his selection by a passage in The Gentle Life: Essays in Aid of the Formation of Character, by the now largely forgotten Victorian essayist James Hain Friswell: 'If a man wanted to make a sugar-sweet book ... let him go through the plays of the great national Poet, and make an extract of those passages wherein he has exalted woman.' In thirty-three sections (four plays are omitted), extensive quotations present examples of 'exalted woman' and give an insight into the taste of the educated middle class in the mid-Victorian period.

The Henry Irving Shakespeare
  • Volume 2
  • William Shakespeare
  • Edited by Henry Irving, Frank A. Marshall
  • Published online:
    29 August 2010
    Print publication:
    20 July 2009
    First published in:
    1888
  • Henry Irving, the influential and controversial Victorian actor, was closely involved in the publication of this distinctive Shakespeare edition. As an actor, his concern was largely with the intellectual project of seeing each play as a unified work, rather than with producing strong emotional effects in the audience. In the words of his obituary in The Times, he appealed to scholars 'by his reverent and often acute treatment of the text', and accustomed playgoers to look for 'more than empty amusement'. To the edition, he brought a sense of the plays in performance which has never been equalled before or since. Addressing a general readership, he both included notes on cuts used by professional companies and suggested others that would facilitate amateur performances. Gordon Browne's illustrations, which suggest the contemporary styles of stage costume, are another attractive feature of this edition, which will appeal to Shakespearians and theatre historians alike.

De Nugis Curialium
  • Edited by Montague Rhodes James
  • Walter Map
  • Published online:
    29 August 2010
    Print publication:
    20 May 2010
    First published in:
    1914
  • Walter Map was a twelfth-century courtier and royal servant. He was a prolific writer, but De Nugis Curialium ('Courtiers' Trifles') is the only surviving work confidently attributed to him. The book is a collection of short stories and anecdotes about the court, religion and history. Map's references demonstrate that he read widely, not only biblical and theological works, but also classical authors such as Horace, Virgil, Ovid and Juvenal. The only surviving manuscript of the work is a fourteenth-century copy once belonging to the monk John Wells of Ramsey Abbey. The Cambridge bibliographer M. R. James would have been attracted to the breadth of Map's referencing, and the author's light-hearted writing style which was intended to entertain. James' 1914 Oxford publication corrected the earlier work of Thomas Wright who published an edition for the Camden Society in 1850.

The Henry Irving Shakespeare
  • Volume 6
  • William Shakespeare
  • Edited by Henry Irving, Frank A. Marshall
  • Published online:
    29 August 2010
    Print publication:
    20 July 2009
    First published in:
    1889
  • Henry Irving, the influential and controversial Victorian actor, was closely involved in the publication of this distinctive Shakespeare edition. As an actor, his concern was largely with the intellectual project of seeing each play as a unified work, rather than with producing strong emotional effects in the audience. In the words of his obituary in The Times, he appealed to scholars 'by his reverent and often acute treatment of the text', and accustomed playgoers to look for 'more than empty amusement'. To the edition, he brought a sense of the plays in performance which has never been equalled before or since. Addressing a general readership, he both included notes on cuts used by professional companies and suggested others that would facilitate amateur performances. Gordon Browne's illustrations, which suggest the contemporary styles of stage costume, are another attractive feature of this edition, which will appeal to Shakespearians and theatre historians alike.

The Henry Irving Shakespeare
  • Volume 8
  • William Shakespeare
  • Edited by Henry Irving, Frank A. Marshall
  • Published online:
    29 August 2010
    Print publication:
    20 July 2009
    First published in:
    1890
  • Henry Irving, the influential and controversial Victorian actor, was closely involved in the publication of this distinctive Shakespeare edition. As an actor, his concern was largely with the intellectual project of seeing each play as a unified work, rather than with producing strong emotional effects in the audience. In the words of his obituary in The Times, he appealed to scholars 'by his reverent and often acute treatment of the text', and accustomed playgoers to look for 'more than empty amusement'. To the edition, he brought a sense of the plays in performance which has never been equalled before or since. Addressing a general readership, he both included notes on cuts used by professional companies and suggested others that would facilitate amateur performances. Gordon Browne's illustrations, which suggest the contemporary styles of stage costume, are another attractive feature of this edition, which will appeal to Shakespearians and theatre historians alike.

Shakespeare and Stratford-upon-Avon
  • A 'Chronicle of the Time'
  • Robert E. Hunter
  • Published online:
    29 August 2010
    Print publication:
    20 July 2009
    First published in:
    1864
  • A detailed account by the secretary to the festival committee of the extensive Tercentenary celebrations of Shakespeare's birth held in Stratford-upon-Avon in 1864. The jubilee, inspired by Garrick's of 1769, included performances of several of the plays in a specially built pavilion on the Paddock in Southern Lane. There was also a banquet, a ball, fireworks, church services, a pageant and several concerts. Planning was fraught with difficulties and disagreements such as the committee's refusal to provide the pageant (organised in the end by the townsfolk) and walked a financial tightrope. The event nevertheless was a success and paved the way for the Shakespeare Memorial Theatre, opened in 1879. A short biography of the playwright, with an assessment of previous biographies, a topographical narrative of the town and description of the three previous jubilees held there (especially Garrick's) provide context and the perspective of the time.

The Cambridge Shakespeare
  • Volume 5
  • Edited by William George Clark, William Aldis Wright
  • Published online:
    29 August 2010
    Print publication:
    20 July 2009
    First published in:
    1863
  • The Cambridge Shakespeare was published in nine volumes between 1863 and 1866. Its careful editorial principles, attractive page design and elegant typography have withstood the test of time. This text was based on a thorough collation of the four Folios and of all the Quarto editions of the separate plays, the base text being the 1623 Folio. The critical apparatus appears at the foot of the page, but for passages where the Quarto differs significantly the entire Quarto text appears in small type after the received text. Notes at the end of each play explain variants, emendations, and passages of unusual difficulty or interest. Grammar and metre were generally left unchanged by the editors, but punctuation was normalised and nineteenth-century orthography was adopted instead of the variable Elizabethan spelling. In a bold move for a Victorian edition, the editors restored various 'profane' expressions where metre or sense demanded it.

The Bowdler Shakespeare
  • In Six Volumes; In which Nothing Is Added to the Original Text; but those Words and Expressions Are Omitted which Cannot with Propriety Be Read Aloud in a Family
  • Volume 5
  • William Shakespeare
  • Edited by Thomas Bowdler
  • Published online:
    29 August 2010
    Print publication:
    20 July 2009
    First published in:
    1853
  • 'The Family Shakspeare: in which nothing is added to the original text, but those words and expressions are omitted which cannot with propriety be read in a family.' These words on the title pages of this edition gave rise to the verb 'to bowdlerise' - to remove or modify text considered vulgar or objectionable. Although the first edition was in fact created by Henrietta Maria Bowdler (1750–1830) and published in 1807, the many subsequent editions were published under the name of her brother Thomas (1754–1825), who devoted his time to prison reform and chess, as well as the sanitising of Shakespeare. The Bowdlers' work became enormously popular as the scandal-ridden Regency gave way to Victorian respectability. This volume, from the 1853 edition, contains Troilus and Cressida, Coriolanus, Julius Caesar, Antony and Cleopatra and Cymbeline.

The Henry Irving Shakespeare
  • Volume 7
  • William Shakespeare
  • Edited by Henry Irving, Frank A. Marshall
  • Published online:
    29 August 2010
    Print publication:
    20 July 2009
    First published in:
    1890
  • Henry Irving, the influential and controversial Victorian actor, was closely involved in the publication of this distinctive Shakespeare edition. As an actor, his concern was largely with the intellectual project of seeing each play as a unified work, rather than with producing strong emotional effects in the audience. In the words of his obituary in The Times, he appealed to scholars 'by his reverent and often acute treatment of the text', and accustomed playgoers to look for 'more than empty amusement'. To the edition, he brought a sense of the plays in performance which has never been equalled before or since. Addressing a general readership, he both included notes on cuts used by professional companies and suggested others that would facilitate amateur performances. Gordon Browne's illustrations, which suggest the contemporary styles of stage costume, are another attractive feature of this edition, which will appeal to Shakespearians and theatre historians alike.

The Henry Irving Shakespeare
  • Volume 3
  • William Shakespeare
  • Edited by Henry Irving, Frank A. Marshall
  • Published online:
    29 August 2010
    Print publication:
    20 July 2009
    First published in:
    1888
  • Henry Irving, the influential and controversial Victorian actor, was closely involved in the publication of this distinctive Shakespeare edition. As an actor, his concern was largely with the intellectual project of seeing each play as a unified work, rather than with producing strong emotional effects in the audience. In the words of his obituary in The Times, he appealed to scholars 'by his reverent and often acute treatment of the text', and accustomed playgoers to look for 'more than empty amusement'. To the edition, he brought a sense of the plays in performance which has never been equalled before or since. Addressing a general readership, he both included notes on cuts used by professional companies and suggested others that would facilitate amateur performances. Gordon Browne's illustrations, which suggest the contemporary styles of stage costume, are another attractive feature of this edition, which will appeal to Shakespearians and theatre historians alike.

The Henry Irving Shakespeare
  • Volume 5
  • William Shakespeare
  • Edited by Henry Irving, Frank A. Marshall
  • Published online:
    29 August 2010
    Print publication:
    20 July 2009
    First published in:
    1889
  • Henry Irving, the influential and controversial Victorian actor, was closely involved in the publication of this distinctive Shakespeare edition. As an actor, his concern was largely with the intellectual project of seeing each play as a unified work, rather than with producing strong emotional effects in the audience. In the words of his obituary in The Times, he appealed to scholars 'by his reverent and often acute treatment of the text', and accustomed playgoers to look for 'more than empty amusement'. To the edition, he brought a sense of the plays in performance which has never been equalled before or since. Addressing a general readership, he both included notes on cuts used by professional companies and suggested others that would facilitate amateur performances. Gordon Browne's illustrations, which suggest the contemporary styles of stage costume, are another attractive feature of this edition, which will appeal to Shakespearians and theatre historians alike.

The Staunton Shakespeare
  • Volume 2
  • William Shakespeare
  • Edited by Howard Staunton
  • Published online:
    29 August 2010
    Print publication:
    20 July 2009
    First published in:
    1859
  • First published in 1859, this is the second of three volumes of Howard Staunton's collection of Shakespeare's plays, with black-and-white illustrations by the prolific artist John Gilbert. Staunton's annotated edition, based on the folio and quarto editions collated with the texts of later editors from Rowe to Dyce, combines common sense with meticulous research, making it a definitive resource in its day. Each play is accompanied by an introduction giving details of its original production and publication and the sources of its plot, critical commentary, and footnotes explaining terms and expressions. This volume contains All's Well That Ends Well, Henry V, As You Like It, Pericles, Prince of Tyre; Twelfth Night, Henry VI Part I, Henry VI Part 2, Henry VI Part 3, Timon of Athens, Richard III, Measure for Measure, Henry VIII, and Cymbeline.

The Staunton Shakespeare
  • Volume 1
  • William Shakespeare
  • Edited by Howard Staunton
  • Published online:
    29 August 2010
    Print publication:
    20 July 2009
    First published in:
    1858
  • First published in 1858, this is the first of three volumes of Howard Staunton's collection of Shakespeare's plays, with black-and-white illustrations by the prolific artist John Gilbert. Staunton's annotated edition, based on the folio and quarto editions collated with the texts of later editors from Rowe to Dyce, combines common sense with meticulous research, making it a definitive resource in its day. Each play is accompanied by an introduction giving details of its original production and publication and the sources of its plot, critical commentary, and footnotes explaining terms and expressions. This volume contains The Two Gentlemen of Verona, Love's Labour's Lost, The Comedy of Errors, Romeo and Juliet, The Taming of the Shrew, King John, A Midsummer Night's Dream, The Merchant of Venice, King Richard II, King Henry IV Part 1, King Henry IV Part II, The Merry Wives of Windsor, and Much Ado About Nothing.

Page 22 of 23