4 results
At the Edge of the World: Caves and Late Classic Maya World View. By Karen Bassie-Sweet. (Norman: Oklahoma University Press, 1996. Pp. 245. Illustrations. Notes. Bibliography. Index. Appendix. $38.95.)
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- Journal:
- The Americas / Volume 54 / Issue 3 / January 1998
- Published online by Cambridge University Press:
- 11 December 2015, pp. 445-447
- Print publication:
- January 1998
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Martin Kemp. The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat. New Haven and London: Yale University Press, 1990. 374 pp. 16 color and 554 black-and-white illus. $60.
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- Journal:
- Renaissance Quarterly / Volume 44 / Issue 3 / Autumn 1991
- Published online by Cambridge University Press:
- 20 November 2018, pp. 587-590
- Print publication:
- Autumn 1991
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Jeremy Blake. La falsa prospettiva in Italian Renaissance Architecture. London-Boston: Routledge & Kegan Paul, 1982. 38 pls.+ 85 pp. £130;$250.
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- Journal:
- Renaissance Quarterly / Volume 37 / Issue 3 / Autumn 1984
- Published online by Cambridge University Press:
- 20 November 2018, pp. 464-466
- Print publication:
- Autumn 1984
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Jonas Gavel. Colour: A Study of Its Position in the Art Theory of the Quattro- and Cinquecento. (Stockholm Studies in the History of Art, 32.) Stockholm: Almqvist and Wiksell International, 1979. Distr. in U.S.A., Humanities Press. 17 illus. + 178 pp. $22.50.
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- Journal:
- Renaissance Quarterly / Volume 34 / Issue 3 / Autumn 1981
- Published online by Cambridge University Press:
- 20 November 2018, pp. 421-423
- Print publication:
- Autumn 1981
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