In this essay, I rethink place in terms of the traumatic experience of lynching through Angelina Weld Grimké's “Blackness” and “Goldie,” which fictionalize Mary Turner's 1918 lynching in Georgia. Grimké's stories, I argue, place racial tensions within an American landscape and challenge the potential erasure that often occurs by viewing landscape only through white experience. “Blackness” and “Goldie,” as examples of black nature writing, exhume the memory of lynching and reveal the constructiveness of nature. By analyzing the racialized construction of a southern landscape, I contend that racial terror impacts the meaning of nature and argue that place can be reconstituted in the mind through memories associated with it. Even though Grimké relocates “Blackness” in the North, the protagonist cannot escape traumatic memories of lynching. Instead, his memories of racial violence stay in “place” and begin to affect Reed, his law partner from the North, as well as the reader. Thus this essay reveals how racial trauma transforms the meaning of nature and reinvents place, and through the protagonists' traumatic memories of the trees and hanging black bodies, the southern landscape “creaks,” voicing black oppression that threatens to engulf both white and black.