That Plato was in some sense a poet is a fact which most of us are prepared to recognize without much hesitation. What is not always clear is how far any of his Dialogues, in whole or in part, may be justly described as poetry, and to what extent his “poeticalness” must affect our critical approach to, and hence our evaluation of, his philosophy as a whole. And this, in effect, is the problem to which I propose to address myself in this paper. Before, however, I attempt to discuss what is an exceptionally complicated issue, a few remarks of a more general nature will not perhaps be out of place-for the need of caution in any approach to Plato is obvious from the start.