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LIST OF BOOKS RECEIVED AS OF 1 NOVEMBER 2010
Published online by Cambridge University Press: 03 May 2011
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- Copyright © American Society for Theatre Research 2011
References
Albanese, Denise. Extramural Shakespeare. Reproducing Shakespeare. New York: Palgrave Macmillan, 2010. $75 cloth.CrossRefGoogle Scholar
Arcade, Penny. Bad Reputation: Performances, Essays, Interviews. Los Angeles: Semiotext(e), 2009. $19.95 cloth.Google Scholar
Aronson-Lehavi, Sharon. “Wanderers” and Other Israeli Plays. London, New York, and Calcutta: Seagull Books, 2009. $99.95 cloth, $24.95 paper.Google Scholar
Bial, Henry, and Magelssen, Scott, eds. Theatre Historiography: Critical Interventions. Ann Arbor: University of Michigan Press, 2010. $85 cloth, $28.95 paper.CrossRefGoogle Scholar
Bigsby, Christopher, ed. The Cambridge Companion to Arthur Miller. 2d ed.Cambridge and New York: Cambridge University Press, 2010. $85 cloth, $29.95 paper.CrossRefGoogle Scholar
Bowsher, Julian, and Miller, Pat. The Rose and the Globe—Playhouses of Shakespeare's Bankside, Southwark: Excavations 1988–90. London: Museum of London Archaeology, 2009. $59.95 cloth.Google Scholar
Broadhurst, Susan, and Machon, Josephine, eds. Sensualities/Textualities and Technologies: Writings of the Body in 21st-Century Performance. London and New York: Palgrave Macmillan, 2009. $79.95 cloth.CrossRefGoogle Scholar
Brockett, Oscar G., Mitchell, Margaret, and Hardberger, Linda. Making the Scene: A History of Stage Design and Technology in Europe and the United States. Austin: University of Texas Press, 2010. $85 cloth.Google Scholar
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Brown, Peter D. G. Oskar Panizza and “The Love Council”: A History of the Scandalous Play on Stage and in Court, with the Complete Text in English and a Biography of the Author. Jefferson, NC and London: McFarland, 2010. $49.95 paper.Google Scholar
Caird, John. Theatre Craft: A Director's Practical Companion from A to Z. London and New York: Faber & Faber, 2010. $20 paper.Google Scholar
Canning, Charlotte M., and Postlewait, Thomas, eds. Representing the Past: Essays in Performance Historiography. Studies in Theatre History and Culture. Iowa City: University of Iowa Press, 2010. $29.95 paper.CrossRefGoogle Scholar
Cantrell, Tom, and Luckhurst, Mary, eds. Playing for Real: Actors on Playing Real People. New York: Palgrave Macmillan, 2010. $75 cloth, $17 paper.CrossRefGoogle Scholar
Carlson, Marla. Performing Bodies in Pain: Medieval and Post-Modern Martyrs, Mystics, and Artists. Palgrave Studies in Theatre and Performance History. New York: Palgrave Macmillan, 2010. $80 cloth.CrossRefGoogle Scholar
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Chekhov, Anton. The Cherry Orchard. Trans. Carnicke, Sharon Marie. Indianapolis and Cambridge: Hackett, 2010. $24.95 cloth, $6.95 paper.Google Scholar
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Clark, Caryl. Haydn's Jews: Representations and Reception on the Operatic Stage. Cambridge and New York: Cambridge University Press, 2009. $102 cloth.Google Scholar
*Cole, Catherine M. Performing South Africa's Truth Commission: Stages of Transition. Bloomington and Indianapolis: Indiana University Press, 2010. $65 cloth, $24.95 paper.Google Scholar
Cook, Amy. Shakespearean Neuroplay: Reinvigorating the Study of Dramatic Texts and Performance through Cognitive Science. Cognitive Studies in Literature and Performance. New York: Palgrave Macmillan, 2010. $75 cloth.CrossRefGoogle Scholar
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Craig, Hugh, and Kinney, Arthur F., eds. Shakespeare, Computers, and the Mystery of Authorship. Cambridge and New York: Cambridge University Press, 2009. $102 cloth.CrossRefGoogle Scholar
Crisafulli, Lilla Maria, and Elam, Keir, eds. Women's Romantic Theatre and Drama: History, Agency, and Performativity. Farnham, Surrey, UK and Burlington, VT: Ashgate, 2010. $114.95 cloth.Google Scholar
*Cruickshank, Don W. Don Pedro Calderón. Cambridge and New York: Cambridge University Press, 2009. $102 cloth.Google Scholar
Davis, Andrew. America's Longest Run: A History of the Walnut Street Theatre. University Park: Penn State University Press, 2010. $44.95 cloth.Google Scholar
Davis, Jim, ed. Victorian Pantomime: A Collection of Critical Essays. London and New York: Palgrave Macmillan, 2010. $80 cloth.CrossRefGoogle Scholar
Davy, Kate. Lady Dicks and Lesbian Brothers: Staging the Unimaginable at the WOW Café Theatre. Ann Arbor: University of Michigan Press, 2010. $55 cloth.Google Scholar
de Sousa, Geraldo U. At Home in Shakespeare's Tragedies. Farnham, Surrey, UK and Burlington, VT: Ashgate, 2010. $99.95 cloth.Google Scholar
Dickinson, Peter. World Stages, Local Audiences: Essays on Performance, Place, and Politics. Manchester and New York: Manchester University Press, 2010. $94.95 cloth.Google Scholar
Dolan, Jill. Theatre & Sexuality. Theatre&. New York: Palgrave Macmillan, 2010. $9 paper.CrossRefGoogle Scholar
Donahue, Tim, and Patterson., JimStage Money: The Business of the Professional Theater. Columbia: University of South Carolina Press, 2010. $49.95 cloth, $24.95 paper.Google Scholar
Duffy, Peter, and Vettraino, Elinor, eds. Youth and Theatre of the Oppressed. New York: Palgrave Macmillan, 2010. $80 cloth.CrossRefGoogle Scholar
Dunbar, Mary Judith. The Winter's Tale. Shakespeare in Performance. Manchester and New York: Manchester University Press, 2010. $79.95 cloth.Google Scholar
George-Graves, Nadine. Urban Bush Women: Twenty Years of African American Dance Theater, Community Engagement, and Working It Out. Madison, WI and London: University of Wisconsin Press, 2010. $29.95 paper.Google Scholar
Giguere, Amanda. The Plays of Yasmina Reza on the English and American Stage. Jefferson, NC and London: McFarland, 2010. $45 paper.Google Scholar
Grainger, Roger. Suspending Disbelief: Theatre as Context for Sharing. Brighton, Portland, and Toronto: Sussex Academic Press, 2010. $24.99 paper.Google Scholar
Greenberg, Mitchell. Racine: From Ancient Myth to Tragic Modernity. Minneapolis: University of Minnesota Press, 2010. $75 cloth, $25 paper.Google Scholar
Greenspan, Charlotte. Pick Yourself Up: Dorothy Fields and the American Musical. Oxford and New York: Oxford University Press, 2010. $27.95 cloth.CrossRefGoogle Scholar
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*Haenni, Sabine. The Immigrant Scene: Ethnic Amusements in New York, 1880–1920. Minneapolis and London: University of Minnesota Press, 2008. $75 cloth, $25 paper.Google Scholar
Harding, James M. Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde. Ann Arbor: University of Michigan Press, 2010. $60 cloth.CrossRefGoogle Scholar
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Harvie, Jen, and Lavender, Andy, eds. Making Contemporary Theatre: International Rehearsal Processes. Manchester and New York: Manchester University Press, 2010. $84.95 cloth, $24.95 paper.Google Scholar
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Jordan, Eamonn. Dissident Dramaturgies: Contemporary Irish Theatre. Dublin and Portland: Irish Academic Press, 2010. $74.95 cloth.Google Scholar
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*Kuftinec, Sonja Arsham. Theatre, Facilitation, and Nation Formation in the Balkans and Middle East. Studies in International Performance. London and New York: Palgrave Macmillan, 2010. $85 cloth.Google Scholar
LaBute, Neil. “Filthy Talk for Troubled Times” and Other Plays. New York: Soft Skull Press, 2010. $13.95 paper.Google Scholar
Lavery, Carl. The Politics of Jean Genet's Late Theatre: Spaces of Revolution. Manchester and New York: Manchester University Press, 2010. $90 cloth.Google Scholar
*Lee, Josephine. The Japan of Pure Invention: Gilbert & Sullivan's “The Mikado.” Minneapolis and London: University of Minnesota Press, 2010. $75 cloth, $25 paper.Google Scholar
Leon, Mechele. Molière, the French Revolution, and the Theatrical Afterlife. Iowa City: University of Iowa Press, 2009. $39.95 cloth.Google Scholar
Lev-Aladgem, Shulamith. Theatre in Co-Communities: Articulating Power. London and New York: Palgrave Macmillan, 2010. $80 cloth.CrossRefGoogle Scholar
Lipscomb, Valerie Barnes, and Marshall, Leni, eds. Staging Age: The Performance of Age in Theatre, Dance, and Film. New York: Palgrave Macmillan, 2010. $80 cloth.CrossRefGoogle Scholar
Litvak, Joseph. The Un-Americans: Jews, the Blacklist, and Stoolpigeon Culture. Durham, NC and London: Duke University Press, 2009. $79.95 cloth, $22.95 paper.CrossRefGoogle Scholar
Lovensheimer, Jim. “South Pacific”: Paradise Rewritten. Broadway Legacies. Oxford and New York: Oxford University Press, 2010. $27.95 cloth.CrossRefGoogle Scholar
McDonnell, Bill. Theatres of the Troubles: Theatre, Resistance and Liberation in Ireland. Exeter Performance Studies. Exeter, UK: University of Exeter Press, 2010. $32.95 paper.Google Scholar
*Machon, Josephine. (Syn)aesthetics: Redefining Visceral Performance. New York: Palgrave Macmillan, 2009. $90 cloth.CrossRefGoogle Scholar
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Malkin, Jeanette R., and Rokem, Freddie, eds. Jews and the Making of Modern German Theatre. Iowa City: University of Iowa Press, 2010. $49.95 cloth.CrossRefGoogle Scholar
Malone, Irina Ruppo. Ibsen and the Irish Revival. London and New York: Palgrave Macmillan, 2010. $80 cloth.CrossRefGoogle Scholar
Mathews, P. J., ed. The Cambridge Companion to J. M. Synge. Cambridge and New York: Cambridge University Press, 2009. $93 cloth, $30.99 paper.CrossRefGoogle Scholar
Mermikides, Alex, and Smart, Jackie, eds. Devising in Process. London and New York: Palgrave Macmillan, 2010. $85 cloth, $28 paper.CrossRefGoogle Scholar
Mesropova, Olga M., and Weber-Fève, Stacey, eds. Being and Becoming Visible: Women, Performance, and Visual Culture. Baltimore: Johns Hopkins University Press, 2010. $70 cloth, $35 paper.CrossRefGoogle Scholar
Miller, Bruce. Acting Solo: Roadmap to Success. Milwaukee and New York: Limelight Editions, 2010. $16.99 paper.Google Scholar
Nadel, Alan, ed. August Wilson: Completing the Twentieth-Century Cycle. Iowa City: University of Iowa Press, 2010. $29.95 paper.CrossRefGoogle Scholar
Nellhaus, Tobin. Theatre, Communication, Critical Realism. What Is Theatre? New York: Palgrave Macmillan, 2010. $80 cloth.CrossRefGoogle Scholar
Newey, Katherine, and Richards, Jeffrey. John Ruskin and the Victorian Theatre. London and New York: Palgrave Macmillan, 2010. $90 cloth.CrossRefGoogle Scholar
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Prendergast, Monica, and Saxton, Juliana, eds. Applied Theatre: International Case Studies and Challenges for Practice. Bristol, UK and Chicago: Intellect, 2009. $35 paper.Google Scholar
Puchner, Martin. The Drama of Ideas: Platonic Provocations in Theater and Philosophy. New York and Oxford: Oxford University Press, 2010. $29.95 cloth.CrossRefGoogle Scholar
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Richards, Jeffrey. The Ancient World on the Victorian and Edwardian Stage. London and New York: Palgrave Macmillan, 2009. $80 cloth.CrossRefGoogle Scholar
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Rodger, Gillian M. Champagne Charlie and Pretty Jemima: Variety Theater in the Nineteenth Century. Urbana, Chicago, and Springfield: University of Illinois Press, 2010. $80 cloth, $28 paper.Google Scholar
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*Schuler, Catherine A. Theatre and Identity in Imperial Russia. Studies in Theatre History and Culture. Iowa City: University of Iowa Press, 2009. $49.95 cloth.Google Scholar
Scott, Virginia. Women on the Stage in Early Modern France, 1540–1750. Cambridge and New York: Cambridge University Press, 2010. $95 cloth.CrossRefGoogle Scholar
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Shepherd, Simon. The Cambridge Introduction to Modern British Theatre. Cambridge and New York: Cambridge University Press, 2009. $81 cloth, $28.99 paper.Google Scholar
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Solterer, Helen. Medieval Roles for Modern Times: Theater and the Battle for the French Republic. University Park: Penn State University Press, 2010. $80 cloth.Google Scholar
Soto-Morettini, Donna. The Philosophical Actor: A Practical Meditation for Practicing Theatre Artists. Bristol, UK and Chicago: Intellect, 2010. $30 paper.Google Scholar
Spirn, Anne Whiston. Daring to Look: Dorothea Lange's Photographs and Reports from the Field. Chicago and London: University of Chicago Press, 2009. $40 cloth, $30 paper.Google Scholar
Stempel, Larry. Showtime: A History of the Broadway Musical Theater. New York and London: W. W. Norton, 2010. $39.95 cloth.Google Scholar
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Winet, Evan Darwin. Indonesian Postcolonial Theatre: Spectral Genealogies and Absent Faces. Studies in International Performance. London and New York: Palgrave Macmillan, 2010. $85 cloth.CrossRefGoogle Scholar
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