Hostname: page-component-586b7cd67f-t8hqh Total loading time: 0 Render date: 2024-11-23T16:49:42.819Z Has data issue: false hasContentIssue false
  • English
  • Français

Juliette Volcler Contrôle. Comment s'inventa l'art de la manipulation sonore Paris, La Découverte, 2017, 160 p.

Published online by Cambridge University Press:  30 August 2018

Esteban Buch
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Arts et lettres (comptes rendus)
Information
Annales. Histoire, Sciences Sociales , Volume 72 , Issue 3 , September 2017 , pp. 913 - 915
Copyright
Copyright © Éditions de l'EHESS 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Juliette Volcler, Le son comme arme. Les usages policiers et militaires du son, Paris, La Découverte, 2011.

2 Jacques Attali, Bruits. Essai sur l'économie politique de la musique, Paris, Puf, 1977.

3 Pascal Quignard, La haine de la musique, Paris, Calmann-Lévy, 1996.