9925 results in Twentieth-Century and Contemporary Music
Sonic Anthropology in 1900: The Challenge of Transcribing Non-Western Music and Language
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- Twentieth-Century Music / Volume 11 / Issue 1 / March 2014
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- 16 May 2014, pp. 7-36
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Review Article
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- Twentieth-Century Music / Volume 11 / Issue 1 / March 2014
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- 16 May 2014, pp. 163-176
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Between Composition and Transcription: Ferruccio Busoni and Music Notation
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- Twentieth-Century Music / Volume 11 / Issue 1 / March 2014
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- 16 May 2014, pp. 37-61
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TCM volume 11 issue 1 Cover and Back matter
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- Twentieth-Century Music / Volume 11 / Issue 1 / March 2014
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- 16 May 2014, pp. b1-b4
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Notes on Contributors
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- Twentieth-Century Music / Volume 11 / Issue 1 / March 2014
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- 16 May 2014, pp. 1-2
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Allan F. Moore, Song Means: Analysing and Interpreting Recorded Popular Song (Farnham: Ashgate, 2012, ISBN 978-1-4094-2864-0 (hb), 978-1-4094-3802-1 (pb).
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- Twentieth-Century Music / Volume 11 / Issue 1 / March 2014
- Published online by Cambridge University Press:
- 16 May 2014, pp. 183-188
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TCM volume 11 issue 1 Cover and Front matter
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- Twentieth-Century Music / Volume 11 / Issue 1 / March 2014
- Published online by Cambridge University Press:
- 16 May 2014, pp. f1-f3
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Marina Frolova-Walker and Jonathan Walker, Music and Soviet Power 1917–1932. (Woodbridge: The Boydell Press, 2012), ISBN 978-1-843-83703-9 (hb). - Alexander Ivashkin and Andrew Kirkman, eds, Contemplating Shostakovich: Life, Music and Film. (Farnham: Ashgate, 2012), ISBN 978-1-4094-3937-0 (hb).
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- Twentieth-Century Music / Volume 11 / Issue 1 / March 2014
- Published online by Cambridge University Press:
- 16 May 2014, pp. 177-182
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Forum on Transcription
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- Twentieth-Century Music / Volume 11 / Issue 1 / March 2014
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- 16 May 2014, pp. 101-161
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Whose Bird Is It? Messiaen's Transcriptions of Australian Songbirds
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- Twentieth-Century Music / Volume 11 / Issue 1 / March 2014
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- 16 May 2014, pp. 63-100
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Editorial: Twentieth-Century Music – Ten Years On
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- Twentieth-Century Music / Volume 11 / Issue 1 / March 2014
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- 16 May 2014, pp. 3-5
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The singer and the song: core components in Jimmy Webb's ‘Didn't We’
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- Popular Music / Volume 33 / Issue 2 / May 2014
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- 08 April 2014, pp. 315-336
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- May 2014
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PMU volume 33 issue 2 Cover and Front matter
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- Popular Music / Volume 33 / Issue 2 / May 2014
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- 08 April 2014, pp. f1-f6
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- May 2014
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‘The most Martian of Martianesses’: Zhanna Aguzarova, (post-)Soviet rock ‘n’ roll, and the musico-linguistic creation of the ‘outside’
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- Popular Music / Volume 33 / Issue 2 / May 2014
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- 08 April 2014, pp. 243-267
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- May 2014
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Creating Global Music in Turkey. By Koray Değirmenci. Lanham, MD: Lexington Books, 2013. xii + 140 pp. ISBN 978-0-7391-7545-3
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- Popular Music / Volume 33 / Issue 2 / May 2014
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- 08 April 2014, pp. 365-367
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- May 2014
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Motivic cohesion and parsimony in three songs from Gentle Giant's Acquiring the Taste (1971)
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- Popular Music / Volume 33 / Issue 2 / May 2014
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- 08 April 2014, pp. 269-292
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- May 2014
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PopMAC, International Conference on Analyzing Popular Music, University of Liverpool, 2–4 July 2013
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- Popular Music / Volume 33 / Issue 2 / May 2014
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- 08 April 2014, pp. 337-339
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- May 2014
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Live from Dar es Salaam: Popular Music and Tanzania's Music Economy. By Alex Perullo. Bloomington, IN: Indiana University Press, 2011. 459 pp. ISBN 978-0-253-35605-5
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- Popular Music / Volume 33 / Issue 2 / May 2014
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- 08 April 2014, pp. 362-365
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- May 2014
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‘I Drum Therefore I Am’: Being and Becoming a Drummer. By Gareth Dylan Smith. Farnham: Ashgate, 2013. 209 pp. ISBN 978-1-4094-4794-8
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- Popular Music / Volume 33 / Issue 2 / May 2014
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- 08 April 2014, pp. 376-378
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- May 2014
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Writing the Record: The Village Voice and the Birth of Rock Criticism. By Devon Powers. Amherst & Boston, MA: University of Massachusetts Press, 2013. 176 pp. ISBN 978-1-62534-012-2
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- Popular Music / Volume 33 / Issue 2 / May 2014
- Published online by Cambridge University Press:
- 08 April 2014, pp. 358-360
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- May 2014
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