9925 results in Twentieth-Century and Contemporary Music
Copyright page
-
- Book:
- Popular Musical Theatre in London and Berlin
- Published online:
- 05 October 2014
- Print publication:
- 25 September 2014, pp iv-iv
-
- Chapter
- Export citation
Part III - Representation in transition – cultural transfer/stage Others
-
- Book:
- Popular Musical Theatre in London and Berlin
- Published online:
- 05 October 2014
- Print publication:
- 25 September 2014, pp 201-273
-
- Chapter
- Export citation
Contributors
-
-
- Book:
- Popular Musical Theatre in London and Berlin
- Published online:
- 05 October 2014
- Print publication:
- 25 September 2014, pp viii-xi
-
- Chapter
- Export citation
Chapter 12 - West End musical theatre and the representation of Germany
- from Part III - Representation in transition – cultural transfer/stage Others
-
-
- Book:
- Popular Musical Theatre in London and Berlin
- Published online:
- 05 October 2014
- Print publication:
- 25 September 2014, pp 224-241
-
- Chapter
- Export citation
Chapter 9 - Dover Street to Dixieand the politics of cultural transfer and exchange
- from Part II - Atlantic traffic
-
-
- Book:
- Popular Musical Theatre in London and Berlin
- Published online:
- 05 October 2014
- Print publication:
- 25 September 2014, pp 170-186
-
- Chapter
- Export citation
Chapter 3 - German operetta in the West End and on Broadway
- from Part I - The mechanics of transfer and translation
-
-
- Book:
- Popular Musical Theatre in London and Berlin
- Published online:
- 05 October 2014
- Print publication:
- 25 September 2014, pp 62-80
-
- Chapter
- Export citation
Chapter 13 - TheTropical Expressin Nazi Germany
- from Part III - Representation in transition – cultural transfer/stage Others
-
-
- Book:
- Popular Musical Theatre in London and Berlin
- Published online:
- 05 October 2014
- Print publication:
- 25 September 2014, pp 242-257
-
- Chapter
- Export citation
Chapter 1 - Berlin/London: London/Berlin – an outline of cultural transfer 1890–1914
- from Part I - The mechanics of transfer and translation
-
-
- Book:
- Popular Musical Theatre in London and Berlin
- Published online:
- 05 October 2014
- Print publication:
- 25 September 2014, pp 25-43
-
- Chapter
- Export citation
Select bibliography
-
- Book:
- Popular Musical Theatre in London and Berlin
- Published online:
- 05 October 2014
- Print publication:
- 25 September 2014, pp 274-276
-
- Chapter
- Export citation
The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture. By Timothy D. Taylor. Chicago, IL and London: University of Chicago Press, 2012. 345 pp. ISBN 978-0-226-79115-9
-
- Journal:
- Popular Music / Volume 33 / Issue 3 / October 2014
- Published online by Cambridge University Press:
- 28 August 2014, pp. 549-550
- Print publication:
- October 2014
-
- Article
- Export citation
Formal negativities, breakthroughs, ruptures and continuities in the music of Modest Mouse
-
- Journal:
- Popular Music / Volume 33 / Issue 3 / October 2014
- Published online by Cambridge University Press:
- 28 August 2014, pp. 428-454
- Print publication:
- October 2014
-
- Article
- Export citation
Film and Television Music. A Guide to Books, Articles and Composer Interviews. By Warren M. Sherk. Lanham, MD: Scarecrow Press, 2011. 670 pp. ISBN 978-0-8108-7686-6
-
- Journal:
- Popular Music / Volume 33 / Issue 3 / October 2014
- Published online by Cambridge University Press:
- 28 August 2014, pp. 562-564
- Print publication:
- October 2014
-
- Article
- Export citation
Late-Stalinist ideological campaigns and the rupture of jazz: ‘jazz-talk’ in the Soviet Estonian cultural newspaper Sirp ja Vasar1
-
- Journal:
- Popular Music / Volume 33 / Issue 3 / October 2014
- Published online by Cambridge University Press:
- 28 August 2014, pp. 509-529
- Print publication:
- October 2014
-
- Article
- Export citation
The regional North Indian popular music industry in 2014: from cassette culture to cyberculture
-
- Journal:
- Popular Music / Volume 33 / Issue 3 / October 2014
- Published online by Cambridge University Press:
- 28 August 2014, pp. 389-412
- Print publication:
- October 2014
-
- Article
-
- You have access
- HTML
- Export citation
Rhythm, rhyme and reason: hip hop expressivity as political discourse
-
- Journal:
- Popular Music / Volume 33 / Issue 3 / October 2014
- Published online by Cambridge University Press:
- 28 August 2014, pp. 473-491
- Print publication:
- October 2014
-
- Article
- Export citation
Hip Hop Desis: South Asian Americans, Blackness, and a Global Race Consciousness. By Nitasha Tamar Sharma. Durham, NC: Duke University Press, 2010. 351 pp. ISBN 978-0-8223-4760-6
-
- Journal:
- Popular Music / Volume 33 / Issue 3 / October 2014
- Published online by Cambridge University Press:
- 28 August 2014, pp. 564-566
- Print publication:
- October 2014
-
- Article
- Export citation
PMU volume 33 issue 3 Cover and Back matter
-
- Journal:
- Popular Music / Volume 33 / Issue 3 / October 2014
- Published online by Cambridge University Press:
- 28 August 2014, pp. b1-b3
- Print publication:
- October 2014
-
- Article
-
- You have access
- Export citation
Bad Vibrations: The History of the Idea of Music as a Cause of Disease. By James Kennaway. Farnham: Ashgate, 2012. 213 pp. ISBN 978-1-409-42642-4
-
- Journal:
- Popular Music / Volume 33 / Issue 3 / October 2014
- Published online by Cambridge University Press:
- 28 August 2014, pp. 546-549
- Print publication:
- October 2014
-
- Article
- Export citation
Porno Para Ricardo: rock music and the ‘obsession with identity’ in contemporary Cuba
-
- Journal:
- Popular Music / Volume 33 / Issue 3 / October 2014
- Published online by Cambridge University Press:
- 28 August 2014, pp. 455-472
- Print publication:
- October 2014
-
- Article
- Export citation
Singer-Songwriters and Musical Open Mics. By Marcus Aldredge. Farnham: Ashgate, 2013. 217 pp. ISBN 978-1-409-44272-1
-
- Journal:
- Popular Music / Volume 33 / Issue 3 / October 2014
- Published online by Cambridge University Press:
- 28 August 2014, pp. 570-572
- Print publication:
- October 2014
-
- Article
- Export citation