9925 results in Twentieth-Century and Contemporary Music
16 - The land of suites: Ellington and extended form
- from Part III - Ellington and the jazz tradition
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- The Cambridge Companion to Duke Ellington
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- 18 December 2014
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- 08 January 2015, pp 245-261
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6 - Ellington’s Afro-Modernist vision in the 1920s
- from Part II - Duke through the decades: the music and its reception
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- The Cambridge Companion to Duke Ellington
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- 18 December 2014
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- 08 January 2015, pp 85-105
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2 - The process of becoming: composition and recomposition
- from Part I - Ellington in context
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- 08 January 2015, pp 31-41
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14 - Duke and descriptive music
- from Part III - Ellington and the jazz tradition
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- The Cambridge Companion to Duke Ellington
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- 18 December 2014
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- 08 January 2015, pp 212-227
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10 - Ellington in the 1960s and 1970s: triumph and tragedy
- from Part II - Duke through the decades: the music and its reception
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- The Cambridge Companion to Duke Ellington
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- 18 December 2014
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- 08 January 2015, pp 154-170
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12 - “Seldom seen, but always heard”: Billy Strayhorn and Duke Ellington
- from Part III - Ellington and the jazz tradition
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- The Cambridge Companion to Duke Ellington
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- 18 December 2014
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- 08 January 2015, pp 186-196
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Select bibliography
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- The Cambridge Companion to Duke Ellington
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- 18 December 2014
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- 08 January 2015, pp 274-281
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Frontispiece
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Notes on contributors
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- 08 January 2015, pp vii-x
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Philip Tagg: 70 years of popular music
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. 134-136
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- January 2015
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Pop Pagans: Paganism and Popular Music. Edited by Donna Weston and Andy Bennett. Durham & Bristol, CT: Acumen2013. x + 246 pp. ISBN 978-1-844-65647-9
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. 158-160
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- January 2015
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Bodies of Sound: Studies Across Popular Music and Dance. Edited by Sherril Dodds and Susan C. Cook. Farnham: Ashgate, 2013. 237 pp. ISBN 978-1-409-44517-3
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. 142-144
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- January 2015
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PMU volume 34 issue 1 Cover and Front matter
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. f1-f5
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- January 2015
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Rhymin’ and Stealin’. Musical Borrowing in Hip-Hop. By Justin A. Williams. Ann Arbor, MI: University of Michigan Press, 2013. 256 pp. ISBN 978-0-472-11892-2
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. 140-142
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- January 2015
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The Hallelujah Effect: Philosophical Reflections on Music, Performance Practice, and Technology. By Babette Babich. Farnham: Ashgate, 2013. 307 pp. ISBN 978-1-409-44960-7
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. 156-158
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- January 2015
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Nuuk underground: musical change and cosmopolitan nationalism in Greenland
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. 113-133
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- January 2015
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Nests, arcs and cycles in the lifespan of a studio project
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. 67-93
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- January 2015
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Vinyl: A History of the Analogue Record. By Richard Osborne. Farnham: Ashgate, 2012. 224 pp. ISBN 978-1-409-44027-7
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. 166-168
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- January 2015
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Funky Nassau. Roots, Routes, and Representation in Bahamian Popular Music. By Timothy Rommen. Berkley, CA: University of California Press and Black Music Center, 2011. xvii + 310 pp. ISBN 978-0-520-26569-1
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. 162-164
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- January 2015
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Soul Unsung: Reflections on the Band in Black Popular Music. By Kevin Le Gendre. Sheffield: Equinox, 2012. ISBN 978-1-845-33543-8
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- Popular Music / Volume 34 / Issue 1 / January 2015
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- 19 December 2014, pp. 150-152
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- January 2015
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