9925 results in Twentieth-Century and Contemporary Music
Elvis Costello and Thatcherism. A Psycho-Social Exploration. By David Pilgrim and Richard Ormrod . Ashgate Popular and Folk Music Series. Farnham: Ashgate, 2013. 210 pp. ISBN 9781-40944-9638
-
- Journal:
- Popular Music / Volume 34 / Issue 3 / October 2015
- Published online by Cambridge University Press:
- 08 September 2015, pp. 532-535
- Print publication:
- October 2015
-
- Article
- Export citation
Lost in the city: Yes's ‘Heart of the Sunrise’ and the expansion of musical expression in rock
-
- Journal:
- Popular Music / Volume 34 / Issue 3 / October 2015
- Published online by Cambridge University Press:
- 08 September 2015, pp. 408-431
- Print publication:
- October 2015
-
- Article
- Export citation
Studying Popular Music Culture (2nd edn). By Tim Wall . London: Sage, 2013. 320 pp. ISBN 978-1-4462-0771-0
-
- Journal:
- Popular Music / Volume 34 / Issue 3 / October 2015
- Published online by Cambridge University Press:
- 08 September 2015, pp. 507-509
- Print publication:
- October 2015
-
- Article
- Export citation
An Unholy Row: Jazz in Britain and its Audience, 1945–1960. By Dave Gelly . Sheffield and Bristol: Equinox, 2014. ISBN-13: 978-1-845-53712-8
-
- Journal:
- Popular Music / Volume 34 / Issue 3 / October 2015
- Published online by Cambridge University Press:
- 08 September 2015, pp. 512-514
- Print publication:
- October 2015
-
- Article
- Export citation
Burma's Pop Music Industry: Creators, Distributors, Censors. By Heather MacLachlan . Rochester, NY: Rochester University Press, 2011. 221 pp. ISBN 9-781-580-46386-7
-
- Journal:
- Popular Music / Volume 34 / Issue 3 / October 2015
- Published online by Cambridge University Press:
- 08 September 2015, pp. 501-503
- Print publication:
- October 2015
-
- Article
- Export citation
Ubiquitous Musics: The Everyday Sounds That We Don't Always Notice. Edited by Marta Garćia Quiňones , Anahid Kassabian and Elena Bosch . Farnham: Ashgate, 2013. 212 pp. ISBN 978-1-4094-5133-4
-
- Journal:
- Popular Music / Volume 34 / Issue 3 / October 2015
- Published online by Cambridge University Press:
- 08 September 2015, pp. 493-495
- Print publication:
- October 2015
-
- Article
- Export citation
Music, Sound and Space: Transformations of Public and Private Experience. Edited by Georgina Born . Cambridge: Cambridge University Press, 2013. 376 pp. ISBN 978-0-521-76424-7
-
- Journal:
- Popular Music / Volume 34 / Issue 3 / October 2015
- Published online by Cambridge University Press:
- 08 September 2015, pp. 497-499
- Print publication:
- October 2015
-
- Article
- Export citation
Theodor W. Adorno, Kranichsteiner Vorlesungen, ed. Klaus Reichert and Michael Schwarz (Frankfurt am Main: Suhrkamp, 2014), ISBN: 978-3-518-58597-9 (hb).
-
- Journal:
- Twentieth-Century Music / Volume 12 / Issue 2 / September 2015
- Published online by Cambridge University Press:
- 26 August 2015, pp. 261-268
-
- Article
- Export citation
Julie Brown, Schoenberg and Redemption (Cambridge: Cambridge University Press, 2014), ISBN: 978-0-521-55035-2 (hb).
-
- Journal:
- Twentieth-Century Music / Volume 12 / Issue 2 / September 2015
- Published online by Cambridge University Press:
- 26 August 2015, pp. 253-261
-
- Article
- Export citation
Music Technology, Gender, and Class: Digitization, Educational and Social Change in Britain
-
- Journal:
- Twentieth-Century Music / Volume 12 / Issue 2 / September 2015
- Published online by Cambridge University Press:
- 26 August 2015, pp. 135-172
-
- Article
-
- You have access
- HTML
- Export citation
TCM volume 12 issue 2 Cover and Front matter
-
- Journal:
- Twentieth-Century Music / Volume 12 / Issue 2 / September 2015
- Published online by Cambridge University Press:
- 26 August 2015, pp. f1-f3
-
- Article
-
- You have access
- Export citation
Musique concrète, French New Wave cinema, and Jean Cocteau's Le Testament d'Orphée (1960)
-
- Journal:
- Twentieth-Century Music / Volume 12 / Issue 2 / September 2015
- Published online by Cambridge University Press:
- 26 August 2015, pp. 197-224
-
- Article
- Export citation
S. Andrew Granade, Harry Partch, Hobo Composer (University of Rochester Press, 2014), ISBN: 978-1-58-046495-6 (hb).
-
- Journal:
- Twentieth-Century Music / Volume 12 / Issue 2 / September 2015
- Published online by Cambridge University Press:
- 26 August 2015, pp. 268-274
-
- Article
- Export citation
Thus Spoke the Early Modernist: Zarathustra and Rotational Form in Webern's String Quartet (1905)
-
- Journal:
- Twentieth-Century Music / Volume 12 / Issue 2 / September 2015
- Published online by Cambridge University Press:
- 26 August 2015, pp. 225-251
-
- Article
- Export citation
Ruth Feldstein, How It Feels to Be Free: Black Women Entertainers and the Civil Rights Movement (New York: Oxford University Press, 2013), ISBN 978-0-19-531403-8 (hb).
-
- Journal:
- Twentieth-Century Music / Volume 12 / Issue 2 / September 2015
- Published online by Cambridge University Press:
- 26 August 2015, pp. 274-279
-
- Article
-
- You have access
- HTML
- Export citation
Notes on Contributors
-
- Journal:
- Twentieth-Century Music / Volume 12 / Issue 2 / September 2015
- Published online by Cambridge University Press:
- 26 August 2015, pp. 133-134
-
- Article
-
- You have access
- HTML
- Export citation
Brian Harker, Louis Armstrong’s Hot Five and Hot Seven Recordings (New York: Oxford University Press, 2011), ISBN: 978-0-195-38841-1 (hb), 978-0-195-38840-4 (pb). - Catherine Tackley, Benny Goodman's Famous 1938 Carnegie Hall Jazz Concert (New York: Oxford University Press, 2011), ISBN: 978-0-195-39830-4 (hb), 978-0-195-39831-1 (pb). - Keith Waters, The Studio Recordings of the Miles Davis Quintet, 1965–68 (New York: Oxford University Press, 2011), ISBN: 978-0-195-39383-5 (hb), 978-0-195-39384-2 (pb). - Peter Elsdon, Keith Jarrett's The Köln Concert (New York: Oxford University Press, 2012), ISBN: 978-0-19-977925-3 (hb), 978-0-199-77926-0 (pb). - Gabriel Solis, Thelonious Monk Quartet Featuring John Coltrane at Carnegie Hall (New York: Oxford University Press, 2014), ISBN: 978-0-199-74435-0 (hb), 978-0-199-74436-7 (pb).
-
- Journal:
- Twentieth-Century Music / Volume 12 / Issue 2 / September 2015
- Published online by Cambridge University Press:
- 26 August 2015, pp. 279-285
-
- Article
- Export citation
TCM volume 12 issue 2 Cover and Back matter
-
- Journal:
- Twentieth-Century Music / Volume 12 / Issue 2 / September 2015
- Published online by Cambridge University Press:
- 26 August 2015, pp. b1-b2
-
- Article
-
- You have access
- Export citation
Sonic Patterns and Compositional Strategies in Queen's ‘Bohemian Rhapsody’
-
- Journal:
- Twentieth-Century Music / Volume 12 / Issue 2 / September 2015
- Published online by Cambridge University Press:
- 26 August 2015, pp. 173-196
-
- Article
- Export citation
Pierre Schaeffer, In Search of a Concrete Music, trans. Christine North and John Dack (Berkeley: University of California Press, 2012), ISBN: 978-0-520-26573-8 (hb), ISBN: 978-0-520-26574-5 (pb). - Brian Kane, Sound Unseen: Acousmatic Sound in Theory and Practice (New York: Oxford University Press, 2014), ISBN: 978-0-19-934784-1 (hb).
-
- Journal:
- Twentieth-Century Music / Volume 12 / Issue 2 / September 2015
- Published online by Cambridge University Press:
- 26 August 2015, pp. 285-290
-
- Article
- Export citation