The sentence which opens the chapter in The Cambridge History of English Literature on “The Beginnings of Moral Philosophy in England” is significant of the general failure to consider seriously that great body of popular philosophy which made a large part of the published books of the sixteenth century in England. Professor Sorley, in the opening sentence of the chapter cited, says:

Yet a survey of the books published in England before 1605 shows a massive array of works in many editions dealing with moral philosophy. It is not my purpose to trace this early history of English moral philosophy, however, for I am not a philosopher. Rather I purpose to trace in the works on moral philosophy published in England during the sixteenth century the main ideas which seem to me to have formed the background of the conception of tragedy which is shown in the tragedies of Shakespeare, ideas which were fundamental ideas held by Shakespeare in common with the best philosophical thinkers of his generation.

That there was little new in these ideas no one can deny, for they represent something like a composite picture of the works of the most revered ancients and the most influential Schoolmen. Hippocrates, Galen, Aristotle, Plato, Plutarch, Cicero, Quintilian, Seneca, Hesiod, Thomas Aquinas, Augustine—these are the names which are mingled with others of less frequent recurrence in the list of authorities for philosophical ideas throughout the century.