Book contents
- Frontmatter
- Contents
- Preface
- Editorial Conventions
- Bartók: Piano Concerto No.1
- Bartók: Violin Concerto No.2
- Bartók: Dance Suite
- Beethoven Symphonies: Some Supplementary Remarks
- Beethoven: Overture Leonore No.2
- Beethoven: Overture Leonore No.3
- Beethoven: Overture King Stephen
- Berlioz: Symphonie Fantastique
- Berlioz: Harold in Italy
- Berlioz: Overtures
- Bloch Schelomo: Hebraic Rhapsody for Cello and Orchestra
- Brahms: Four Symphonies
- Brahms: Piano Concerto No.1 in D Minor, Op.15
- Brahms: Violin Concerto in D, Op.77
- Brahms: Hungarian Dances: A Brief Guide
- Bruch: Violin Concerto No.1 in G Minor, Op.26
- Busoni: Piano Concerto, Op.39
- Debussy: Prélude À L’Après-Midi D’un Faune
- Dvořák: Scherzo Capriccioso, Op.66
- Dvořák: Symphonic Variations, Op.78
- Dvořák: Romance for Violin and Orchestra, Op.11
- Dvořák: Serenade for Strings in E, Op.22
- Elgar: Variations on an Original Theme (‘Enigma’), Op.36
- Elgar: Concert-Overture Froissart
- Elgar: Concert-Overture Cockaigne
- Elgar: Concert-Overture in the South (Alassio)
- Elgar: Sea Pictures
- Elgar: Serenade for Strings in E Minor, Op.20
- Fauré: Fantaisie for Flute, Orch. Louis Aubert
- Franck: Symphony in D Minor
- Haydn: Symphonies with High Horns
- Haydn: Symphony No.100 in G (‘Military’)
- Haydn: Symphony No.104 in D (‘London’)
- Liszt: Piano Concerto No.1 in E Flat
- Liszt: Piano Concerto No.2 in A
- Mahler: Symphony No.2 in C Minor
- Martinù: Rhapsody-Concerto for Viola and Orchestra
- Mendelssohn: Symphony No.3 in a Minor, Op.56 (‘Scottish’)
- Mendelssohn: Symphony No.4 in a, Op.90 (‘Italian’)
- Mendelssohn: Violin Concerto in E Minor, Op.64
- Mendelssohn: Overture The Hebrides (‘Fingal’s Cave’), Op.26
- Mozart: Piano Concertos
- Mussorgsky, Orch. Ravel Pictures from an Exhibition
- Nielsen: Sinfonia Espansiva (Symphony No.3)
- Prokofiev: Classical Symphony (Symphony No.1, Op.25)
- Prokofiev: Peter and the Wolf, Op.67
- Rachmaninov: Symphony No.2 in E Minor, Op.27
- Rachmaninov: Piano Concerto No.2 in C Minor, Op.18
- Ravel: Piano Concerto
- Ravel: La Valse
- Ravel: Le Tombeau De Couperin
- Ravel: Pavane Pour Une Infante Défunte
- Respighi: Fontane Di Roma
- Rimsky-Korsakov: Symphonic Suite: Scheherazade, Op.35
- Rimsky-Korsakov: Capriccio Espagnol, Op.34
- Rossini: Overture William Tell
- Saint-Saëns: Symphony No.3 in C Minor, Op.78
- Saint-Saëns: Cello Concerto No.1 in a Minor, Op.33
- Schubert: Overture Die Zauberharfe, D.644 (‘Rosamunde’)
- Schumann: Symphony No.4 in D Minor, Op.120
- Schumann Overture, Scherzo and Finale, Op.52
- Schumann: Cello Concerto in a Minor, Op.129
- Schumann: Overture Genoveva, Op.81
- Shostakovich: Cello Concerto No.1 in E Flat, Op.107
- Sibelius: Symphony No.2 in D, Op.43
- Sibelius: Symphony No.3 in C, Op.52
- Sibelius: Symphony No.4 in a Minor, Op.63
- Sibelius: Symphony No.5 in E Flat, Op.82
- Sibelius: Symphony No.6 in D Minor, Op.104
- Sibelius: Symphony No.7 in C, Op.105
- Sibelius: Violin Concerto in D Minor, Op.47
- Sibelius: Tapiola, Op.112
- Smetana: Má Vlast: 2. Vltava
- Smetana: Má Vlast: 3. Šárka
- Strauss: Ein Heldenleben, Op.40
- Strauss: Horn Concerto No.1 in E Flat, Op.11
- Strauss: Oboe Concerto
- Strauss: Metamorphosen: Study for 23 Solo Strings
- Tchaikovsky: Symphony No.2 in C Minor, Op.17
- Tchaikovsky: Symphony No.3 in D, Op.29
- Tchaikovsky: Symphony No.4 in F Minor, Op.36
- Tchaikovsky: Symphony No.5 in E Minor, Op.64
- Tchaikovsky: Symphony No.6 in B Minor, Op.74, ‘Pathétique’
- Tchaikovsky: Piano Concerto No.1 in B Flat Minor, Op.23
- Tchaikovsky: Violin Concerto in D, Op.35
- Tchaikovsky: Fantasy-Overture After Shakespeare, Romeo and Juliet
- Tippett: Symphony No.2 in C
- Vaughan Williams: A London Symphony (Symphony No.2)
- Vaughan Williams: Pastoral Symphony (Symphony No.3)
- Vaughan Williams: Tuba Concerto
- Wagner: Prelude Die Meistersinger Von Nürnberg
- Walton: Cello Concerto
- Weber: Overture Der Beherrscher Der Geister
- Weber: Overture Der Freischütz
- Weber: Overture Oberon
- Bibliography
Sibelius: Symphony No.3 in C, Op.52
Published online by Cambridge University Press: 08 June 2023
- Frontmatter
- Contents
- Preface
- Editorial Conventions
- Bartók: Piano Concerto No.1
- Bartók: Violin Concerto No.2
- Bartók: Dance Suite
- Beethoven Symphonies: Some Supplementary Remarks
- Beethoven: Overture Leonore No.2
- Beethoven: Overture Leonore No.3
- Beethoven: Overture King Stephen
- Berlioz: Symphonie Fantastique
- Berlioz: Harold in Italy
- Berlioz: Overtures
- Bloch Schelomo: Hebraic Rhapsody for Cello and Orchestra
- Brahms: Four Symphonies
- Brahms: Piano Concerto No.1 in D Minor, Op.15
- Brahms: Violin Concerto in D, Op.77
- Brahms: Hungarian Dances: A Brief Guide
- Bruch: Violin Concerto No.1 in G Minor, Op.26
- Busoni: Piano Concerto, Op.39
- Debussy: Prélude À L’Après-Midi D’un Faune
- Dvořák: Scherzo Capriccioso, Op.66
- Dvořák: Symphonic Variations, Op.78
- Dvořák: Romance for Violin and Orchestra, Op.11
- Dvořák: Serenade for Strings in E, Op.22
- Elgar: Variations on an Original Theme (‘Enigma’), Op.36
- Elgar: Concert-Overture Froissart
- Elgar: Concert-Overture Cockaigne
- Elgar: Concert-Overture in the South (Alassio)
- Elgar: Sea Pictures
- Elgar: Serenade for Strings in E Minor, Op.20
- Fauré: Fantaisie for Flute, Orch. Louis Aubert
- Franck: Symphony in D Minor
- Haydn: Symphonies with High Horns
- Haydn: Symphony No.100 in G (‘Military’)
- Haydn: Symphony No.104 in D (‘London’)
- Liszt: Piano Concerto No.1 in E Flat
- Liszt: Piano Concerto No.2 in A
- Mahler: Symphony No.2 in C Minor
- Martinù: Rhapsody-Concerto for Viola and Orchestra
- Mendelssohn: Symphony No.3 in a Minor, Op.56 (‘Scottish’)
- Mendelssohn: Symphony No.4 in a, Op.90 (‘Italian’)
- Mendelssohn: Violin Concerto in E Minor, Op.64
- Mendelssohn: Overture The Hebrides (‘Fingal’s Cave’), Op.26
- Mozart: Piano Concertos
- Mussorgsky, Orch. Ravel Pictures from an Exhibition
- Nielsen: Sinfonia Espansiva (Symphony No.3)
- Prokofiev: Classical Symphony (Symphony No.1, Op.25)
- Prokofiev: Peter and the Wolf, Op.67
- Rachmaninov: Symphony No.2 in E Minor, Op.27
- Rachmaninov: Piano Concerto No.2 in C Minor, Op.18
- Ravel: Piano Concerto
- Ravel: La Valse
- Ravel: Le Tombeau De Couperin
- Ravel: Pavane Pour Une Infante Défunte
- Respighi: Fontane Di Roma
- Rimsky-Korsakov: Symphonic Suite: Scheherazade, Op.35
- Rimsky-Korsakov: Capriccio Espagnol, Op.34
- Rossini: Overture William Tell
- Saint-Saëns: Symphony No.3 in C Minor, Op.78
- Saint-Saëns: Cello Concerto No.1 in a Minor, Op.33
- Schubert: Overture Die Zauberharfe, D.644 (‘Rosamunde’)
- Schumann: Symphony No.4 in D Minor, Op.120
- Schumann Overture, Scherzo and Finale, Op.52
- Schumann: Cello Concerto in a Minor, Op.129
- Schumann: Overture Genoveva, Op.81
- Shostakovich: Cello Concerto No.1 in E Flat, Op.107
- Sibelius: Symphony No.2 in D, Op.43
- Sibelius: Symphony No.3 in C, Op.52
- Sibelius: Symphony No.4 in a Minor, Op.63
- Sibelius: Symphony No.5 in E Flat, Op.82
- Sibelius: Symphony No.6 in D Minor, Op.104
- Sibelius: Symphony No.7 in C, Op.105
- Sibelius: Violin Concerto in D Minor, Op.47
- Sibelius: Tapiola, Op.112
- Smetana: Má Vlast: 2. Vltava
- Smetana: Má Vlast: 3. Šárka
- Strauss: Ein Heldenleben, Op.40
- Strauss: Horn Concerto No.1 in E Flat, Op.11
- Strauss: Oboe Concerto
- Strauss: Metamorphosen: Study for 23 Solo Strings
- Tchaikovsky: Symphony No.2 in C Minor, Op.17
- Tchaikovsky: Symphony No.3 in D, Op.29
- Tchaikovsky: Symphony No.4 in F Minor, Op.36
- Tchaikovsky: Symphony No.5 in E Minor, Op.64
- Tchaikovsky: Symphony No.6 in B Minor, Op.74, ‘Pathétique’
- Tchaikovsky: Piano Concerto No.1 in B Flat Minor, Op.23
- Tchaikovsky: Violin Concerto in D, Op.35
- Tchaikovsky: Fantasy-Overture After Shakespeare, Romeo and Juliet
- Tippett: Symphony No.2 in C
- Vaughan Williams: A London Symphony (Symphony No.2)
- Vaughan Williams: Pastoral Symphony (Symphony No.3)
- Vaughan Williams: Tuba Concerto
- Wagner: Prelude Die Meistersinger Von Nürnberg
- Walton: Cello Concerto
- Weber: Overture Der Beherrscher Der Geister
- Weber: Overture Der Freischütz
- Weber: Overture Oberon
- Bibliography
Summary
In 1904 Sibelius and his family moved into the beautiful new house, Ainola (named after his wife Aino), which he had had built for them in the countryside 20 miles north of Helsinki and which still stands as a museum and shrine to its hallowed occupant. Thus began a new phase of stability; Sibelius ceased to be merely a Finnish composer, but stepped back from nationalistic expression, becoming a symphonist of truly international outlook. As he wrote to Aino in 1905 after a successful performance of his Second Symphony in Berlin: “This is the crucial hour, the last chance to make something of myself and achieve great things. My youth has now gone for ever. And I must learn, despite my thirty-nine years, really to work.” And so he retrenched, concentrating the most important elements, melody and structure, into as modest an orchestra and as compressed a time-scale as was possible, a kind of recouler pour mieux sauter. This took time to crystallise; though this was the first big canvas he worked on in the new house, a couple of other pieces emerged along the way (Pelléas et Mélisande and Pohjola's Daughter), and it was summer 1907 before the symphony was ready. It was first performed in Helsinki in September under Sibelius's direction, and mystified those who had expected something full-blooded and extrovert like the finale of the Second. It has remained something of a Cinderella, but with its wealth of expressive melody ought rather to be enjoyed and treasured in the true tradition of grand works in C major.
sources
A Autograph full score (1907), in the National Library of Finland, Helsinki; only the first two pages, with the first 23 bars, are missing
B Stichvorlage score copied from A, in the archives of Robert Lienau Musikverlag, Frankfurt; has some corrections in Sibelius's hand
C Manuscript score of I only, copied from A by August Österberg (one of Sibelius's main copyists and trumpeter in the Helsinki Philharmonic)
PX Manuscript parts used for the first performance, Stichvorlage for P; only Str for II, III survive, Vl 2 only as far as III 132, remainder lost
E,P First edition score and parts, published by R. Lienau, Berlin in 1907 (this first printing of the string parts is coded P1)
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- Orchestral Masterpieces under the Microscope , pp. 449 - 475Publisher: Boydell & BrewerPrint publication year: 2023