Book contents
- Frontmatter
- Dedication
- Contents
- List of Illustrations
- Acknowledgements
- Note on transliteration, abbreviations and sources
- Introduction: Prokofiev and Opera
- 1 Early Operatic Experiments and Maddalena
- 2 Between Opera and Theatre: Radicalisation of Style in The Gambler
- 3 A Successful Enterprise: Love for Three Oranges
- 4 The Devil Within: Theatre and Spectacle in The Fiery Angel
- 5 Towards a Soviet Operatic Style: Semyon Kotko
- 6 Betrothal in a Monastery and the Retreat from Ideology
- 7 War and Peace: The Prokofievan Operatic Ideal?
- 8 Dramaturgical Re-evaluation in The Story of a Real Man
- Epilogue
- Synopses
- Bibliography
- Index
- Frontmatter
- Dedication
- Contents
- List of Illustrations
- Acknowledgements
- Note on transliteration, abbreviations and sources
- Introduction: Prokofiev and Opera
- 1 Early Operatic Experiments and Maddalena
- 2 Between Opera and Theatre: Radicalisation of Style in The Gambler
- 3 A Successful Enterprise: Love for Three Oranges
- 4 The Devil Within: Theatre and Spectacle in The Fiery Angel
- 5 Towards a Soviet Operatic Style: Semyon Kotko
- 6 Betrothal in a Monastery and the Retreat from Ideology
- 7 War and Peace: The Prokofievan Operatic Ideal?
- 8 Dramaturgical Re-evaluation in The Story of a Real Man
- Epilogue
- Synopses
- Bibliography
- Index
Summary
- Type
- Chapter
- Information
- The Operas of Sergei Prokofiev , pp. 265 - 274Publisher: Boydell & BrewerPrint publication year: 2020