Book contents
- Frontmatter
- Contents
- Preface
- Koguryo instruments in Tomb No. 1 at Ch'ang-ch'uan, Manchuria
- Shakuhachi honkyoku notation: written sources in an oral tradition
- The world of a single sound: basic structure of the music of the Japanese flute shakuhachi
- A report on Chinese research into the Dunhuang music manuscripts
- Where did Toragaku come from?
- Musico-religious implications of some Buddhist views of sound and music in the Śūraṅgama Sūtra
- Composition and improvisation in Satsuma biwa
- Glossary of Chinese, Japanese and Korean terms
- Contributors to this volume
- Notes for authors
- Frontmatter
- Contents
- Preface
- Koguryo instruments in Tomb No. 1 at Ch'ang-ch'uan, Manchuria
- Shakuhachi honkyoku notation: written sources in an oral tradition
- The world of a single sound: basic structure of the music of the Japanese flute shakuhachi
- A report on Chinese research into the Dunhuang music manuscripts
- Where did Toragaku come from?
- Musico-religious implications of some Buddhist views of sound and music in the Śūraṅgama Sūtra
- Composition and improvisation in Satsuma biwa
- Glossary of Chinese, Japanese and Korean terms
- Contributors to this volume
- Notes for authors
Summary
- Type
- Chapter
- Information
- Musica Asiatica , pp. vii - viiiPublisher: Cambridge University PressPrint publication year: 1991