Book contents
- Frontmatter
- Contents
- Foreword
- Acknowledgements
- List of abbreviations
- Note on the text
- Introduction
- Part I Conrad's French literary and cultural background
- Part II Conrad's debt to French authors
- Part III Conrad's philosophical and aesthetic inheritance
- Part IV Conclusion
- Appendix Conrad's knowledge of French writers
- Notes
- Bibliography
- General name index
- Index of Conrad's links with other writers
Part IV - Conclusion
Published online by Cambridge University Press: 06 January 2010
- Frontmatter
- Contents
- Foreword
- Acknowledgements
- List of abbreviations
- Note on the text
- Introduction
- Part I Conrad's French literary and cultural background
- Part II Conrad's debt to French authors
- Part III Conrad's philosophical and aesthetic inheritance
- Part IV Conclusion
- Appendix Conrad's knowledge of French writers
- Notes
- Bibliography
- General name index
- Index of Conrad's links with other writers
Summary
‘No poet, no artist of any art, has his complete meaning alone. His significance, his appreciation is the appreciation of his relation to the dead poets and artists’.
T. S. Eliot, Tradition and the Individual Talent’ (1919)- Type
- Chapter
- Information
- The French Face of Joseph Conrad , pp. 211 - 212Publisher: Cambridge University PressPrint publication year: 1990