Book contents
- Frontmatter
- Table of Contents
- Spelling, Dates, and Other Conventions
- List of Common Abbreviations
- Introduction: A New History of Medieval Scandinavia
- Part I Food Production: Natural and Supernatural Strategies
- Part II Food Trade, Distribution, and Commercial Activities
- Part III Food Spaces, Consumption, and Feasting
- Index of names and texts
- Index of places
9 - Consumption and Intoxication in an Old Norse Legendary Saga
Published online by Cambridge University Press: 16 November 2022
- Frontmatter
- Table of Contents
- Spelling, Dates, and Other Conventions
- List of Common Abbreviations
- Introduction: A New History of Medieval Scandinavia
- Part I Food Production: Natural and Supernatural Strategies
- Part II Food Trade, Distribution, and Commercial Activities
- Part III Food Spaces, Consumption, and Feasting
- Index of names and texts
- Index of places
Summary
Abstract
The legendary Völsunga sagapresents a vivid case study on the potential dangers of food, drink, and feasting in medieval Icelandic textuality, specifically how evil and magic might be brought together and deployed in consumable form. The saga's representation of witchcraft spotlights a pattern of narrative misogyny, absolving male heroes from taking responsibility for their actions while drawing attention to female witches who most often administer the intoxicating substances. This chapter interrogates manipulation of central protagonists in the saga, heroes and heroines who ingest poisons, potions, and edibles, and their misfortunes. Audiences are continually drawn to this narrative for entertainment, due in no small part to the interlacing of deceit and death with the ritual of feasting.
Keywords: legendary sagas, magic, intoxication, misogyny, heroism, death
You shall not tolerate a sorceress.Exodus 22:17Consumption and intoxication are decisive narrative elements in the Old Norse-Icelandic legendary Völsunga saga. Instances of consumption and intoxication are used by the saga author to drive the action and also to provide the opportunity for the audience to sympathise with protagonists even when these characters appear to make poor decisions. In the saga, intoxicating substances are used by some characters to manipulate the actions of others who, while intoxicated, act out of their minds. Served as drink and as food, the poisons, potions, and edible substances are consumed both knowingly and unknowingly. The origins of the intoxicants in the saga are primarily with one sorceress, Grímhildr, the wife of Gjúki, and her sons, Gunnarr and Hogni. An early example in the saga that is beneficial to interpret alongside the actions of the Gjúkungar is the scene of Sinfjötli's death; he is killed by his stepmother, Borghildr, who poisons him to avenge the death of her brother, whom Sinfjötli had killed.
Borghildr, Grímhildr, and the Gjúkung boys, Gunnarr and Högni, act in ways that are instrumental for the progession of the narrative. Once Sinfjötli is killed by poison the path is clear for Sigurðr, the saga's central hero, to enter the narrative. The Gjkúngar then act as they do so that they can eliminate Sigurðr and secure his wealth; after Sigurðr is dead, a death initiated by the consumption of an intoxicating potion and ultimately the result of an intoxicating edible, the Gjúkungar find Guðrún a new husband, Atli Buðlason.
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- Information
- Food Culture in Medieval Scandinavia , pp. 191 - 206Publisher: Amsterdam University PressPrint publication year: 2022