Book contents
- Frontmatter
- Contents
- List of Abbreviations
- List of Figures
- Acknowledgments
- Introduction
- 1 Italian Cultural Nationalism
- 2 Renaissance Revisited: Pound's Foray into Italian Cultural Nationalism
- 3 The Bundle and the Pickax: Fascist Cultural Projects
- 4 Ezra Pound and/or the Fascist Gerarchia
- 5 The Fascist Cultural Nationalism of the Vivaldi Revival
- 6 Italian Fascist Exhibitions and Pound's Fascist Directive
- 7 Propaganda Art: Can a Poet be a Traitor?
- Appendix: Vivaldi scores in Pound's hand
- Select Bibliography
- Notes
- Index
Appendix: Vivaldi scores in Pound's hand
- Frontmatter
- Contents
- List of Abbreviations
- List of Figures
- Acknowledgments
- Introduction
- 1 Italian Cultural Nationalism
- 2 Renaissance Revisited: Pound's Foray into Italian Cultural Nationalism
- 3 The Bundle and the Pickax: Fascist Cultural Projects
- 4 Ezra Pound and/or the Fascist Gerarchia
- 5 The Fascist Cultural Nationalism of the Vivaldi Revival
- 6 Italian Fascist Exhibitions and Pound's Fascist Directive
- 7 Propaganda Art: Can a Poet be a Traitor?
- Appendix: Vivaldi scores in Pound's hand
- Select Bibliography
- Notes
- Index
Summary
This table includes those Antonio Vivaldi scores that I have been able to identify in the Ezra Pound Papers (YCAL MSS 43), Ezra Pound Additions (YCAL MSS 53), and Olga Rudge Papers (YCAL MSS 54) in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library. The Beinecke catalogue numbers identify the manuscript collection, box number, and folder number of the item in question.
The table uses Ezra Pound's own catalogue of his and Rudge's Vivaldi works as its basis (see p. 185). The first three items in the table do not appear in Pound's catalogue, but the remaining items are organized following his numbering system, which is also often used in his labeling of scores. While most items in his catalogue represent discreet and complete concerti, items #2 and #10 are parts of the same concerto (RV 198). The second column lists each concerto's name as given in Peter Ryom's standard catalogue of Vivaldi's works, Répertoire des oeuvres d'Antonio Vivaldi: les compositions instrumentales (Copenhagen: Engstrom & Sodring, 1986). The third column gives Ryom's catalogue number, the standard method of identifying Vivaldi's works. The fourth column identifies the location of the original manuscript that Pound and Rudge were transcribing, whether the Sachsische Landesbibliothek (Dresden) or the Biblioteca Nazionale (Turin), including the library cataloguing numbers. A description of the scores and/or other items in the Beinecke collection follows in the fifth column, and the sixth and final column identifies correspondence in the Olga Rudge Papers pertaining to the piece.
- Type
- Chapter
- Information
- Fascist DirectiveEzra Pound and Italian Cultural Nationalism, pp. 269 - 276Publisher: Liverpool University PressPrint publication year: 2016