Book contents
- Engaging Haydn
- Engaging Haydn:
- Copyright page
- Dedication
- Contents
- Contributors
- Acknowledgements
- Introduction
- Part I Cultures of vocal music
- Part II Analytical readings and rereadings
- 6 Imagination, continuity, and form in the first movements of Haydn’s Opus 77 quartets
- 7 Does Haydn have a “C-minor mood”?
- 8 Form, rhetoric, and the reception of Haydn’s rondo finales
- 9 Haydn and the Metamorphoses of Ovid
- 10 Credo ut intelligam:
- Part III Performance
- Bibliography
- General index
- Index of works by Haydn
6 - Imagination, continuity, and form in the first movements of Haydn’s Opus 77 quartets
from Part II - Analytical readings and rereadings
Published online by Cambridge University Press: 05 August 2012
- Engaging Haydn
- Engaging Haydn:
- Copyright page
- Dedication
- Contents
- Contributors
- Acknowledgements
- Introduction
- Part I Cultures of vocal music
- Part II Analytical readings and rereadings
- 6 Imagination, continuity, and form in the first movements of Haydn’s Opus 77 quartets
- 7 Does Haydn have a “C-minor mood”?
- 8 Form, rhetoric, and the reception of Haydn’s rondo finales
- 9 Haydn and the Metamorphoses of Ovid
- 10 Credo ut intelligam:
- Part III Performance
- Bibliography
- General index
- Index of works by Haydn
Summary
- Type
- Chapter
- Information
- Engaging HaydnCulture, Context, and Criticism, pp. 145 - 157Publisher: Cambridge University PressPrint publication year: 2012