Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-dsjbd Total loading time: 0 Render date: 2024-11-29T09:31:58.990Z Has data issue: false hasContentIssue false

Reading List

Published online by Cambridge University Press:  16 August 2019

Martin Butler
Affiliation:
University of Leeds
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Cymbeline , pp. 269 - 271
Publisher: Cambridge University Press
Print publication year: 2005

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Adelman, J., Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, 1992Google Scholar
Barton, A., ‘Wrying but a little: marriage, law and sexuality in the plays of Shakespeare’ in Essays, Mainly Shakespearean, 1994, pp. 330Google Scholar
Belsey, C., Shakespeare and the Loss of Eden, 1999CrossRefGoogle Scholar
Brewer, D. S., Symbolic Stories, 1980Google Scholar
Brockbank, J. P., ‘History and histrionics in Cymbeline’, S.Sur., 11 (1958), 42–8Google Scholar
Carr, J., ‘Cymbeline and the validity of myth’, SP, 75 (1978), 316–30Google Scholar
Curran, J. E., ‘Royalty unlearned, honor untaught: British savages and historiographical change in Cymbeline’, CompD, 31 (1997), 277303CrossRefGoogle Scholar
Danson, L., ‘“The catastrophe is a nuptial”: the space of masculine desire in Othello, Cymbeline, and The Winter’s Tale’, S.Sur., 46 (1997), 6979Google Scholar
Floyd-Wilson, M., ‘Delving to the root: Cymbeline, Scotland and the English race’, in Baker, D. J. and Maley, W., eds., British Identities and English Renaissance Literature, 2002, pp. 101–15Google Scholar
Foakes, R. A., Shakespeare: The Dark Comedies to the Last Plays, 1971Google Scholar
Freer, C., The Poetics of Jacobean Drama, 1981Google Scholar
Frye, N., A Natural Perspective: The Development of Shakespearean Comedy and Romance, 1965Google Scholar
Gesner, C., ‘Cymbeline and the Greek romance: a study in genre’, in McNeir, W. F., ed., Studies in English Renaissance Literature, 1962, pp. 105–31Google Scholar
Gibbons, B., Shakespeare and Multiplicity, 1993CrossRefGoogle Scholar
Goldberg, J., Voice Terminal Echo, 1986Google Scholar
Granville-Barker, H., Prefaces to Shakespeare, ed. Clare Byrne, M. St., 1930Google Scholar
Hamilton, D. B., Shakespeare and the Politics of Protestant England, 1992Google Scholar
Harris, B., ‘“What’s past is prologue Cymbeline and Henry VIII’, in Brown, J. R. and Harris, B., eds., Later Shakespeare, 1966, pp. 203–33Google Scholar
Hartwig, J., Shakespeare’s Tragicomic Vision, 1972Google Scholar
Hawkes, T., Shakespeare in the Present, 2002Google Scholar
Hayles, N. K., ‘Sexual disguise in Cymbeline’, MLQ, 41 (1980), 230–47Google Scholar
Henke, R., Pastoral Transformations: Italian Tragicomedy and Shakespeare’s Late Plays, 1997Google Scholar
Hill, G., ‘“The true conduct of human judgment”: some observations on Cymbeline’, in Jefferson, D., ed., The Morality of Art, 1969, pp. 1832Google Scholar
Hunter, R. G., Shakespeare and the Comedy of Forgiveness, 1965Google Scholar
James, H., Shakespeare’s Troy, 1997CrossRefGoogle Scholar
Jones, E., ‘Stuart Cymbeline’, EiC, 11 (1961), 8499CrossRefGoogle Scholar
Jordan, C., Shakespeare’s Monarchies: Ruler and Subject in the Romances, 1997Google Scholar
Kahn, C., Roman Shakespeare: Warriors, Wounds, and Women, 1997Google Scholar
Kirsch, A. C., Jacobean Dramatic Perspectives, 1971Google Scholar
Kirsch, A. C., Shakespeare and the Experience of Love, 1981Google Scholar
Knight, G. W., The Crown of Life, 1947Google Scholar
Lawrence, W. W., Shakespeare’s Problem Comedies, 1931Google Scholar
Marcus, L. S., Puzzling Shakespeare: Local Reading and its Discontents, 1988Google Scholar
Marsh, D. R. C., The Recurring Miracle: A Study of ‘Cymbeline’ and the Last Plays, 1962Google Scholar
Marshall, C., Last Things and Last Plays: Shakespearean Eschatology, 1991Google Scholar
Marshall, T., Theatre and Empire: Great Britain on the London Stages under James VI and I, 2000Google Scholar
Mikalachki, J., ‘The masculine romance of Roman Britain: Cymbeline and early modern English nationalism’, SQ, 46 (1995), 301–22Google Scholar
Miola, R. S., Shakespeare’s Rome, 1983CrossRefGoogle Scholar
Moffet, R., ‘Cymbeline and the nativity’, SQ, 13 (1962), 207–18Google Scholar
Nearing, H., ‘The legend of Julius Caesar’s British conquest’, PMLA, 64 (1949), 889929CrossRefGoogle Scholar
Neely, C. T., Broken Nuptials in Shakespeare’s Plays, 1985Google Scholar
Nevo, R., Shakespeare’s Other Language, 1987Google Scholar
Novy, M., Love’s Argument: Gender Relations in Shakespeare, 1984Google Scholar
Olsen, T. G., ‘Iachimo’s drug-damn’d Italy and the problem of British national character in Cymbeline’, in Klein, H. and Marrapodi, M., eds., Shakespeare and Italy, 1999, pp. 269–96Google Scholar
Palfrey, S., Late Shakespeare: A New World of Words, 1997Google Scholar
Parker, P., Literary Fat Ladies: Rhetoric, Gender, Property, 1987Google Scholar
Parker, P., ‘Romance and empire: anachronistic Cymbeline’, in Logan, G. M. and Teskey, G., eds., Unfolded Tales: Essays on Renaissance Romance, 1989, pp. 189207Google Scholar
Parolin, P. A., ‘Anachronistic Italy: cultural alliances and national identity in Cymbeline’, S.St., 30 (2002), 188215Google Scholar
Peterson, D. L., Time, Tide and Tempest: A Study of Shakespeare’s Romances, 1973Google Scholar
Richmond, H. M., ‘Shakespeare’s Roman trilogy: the climax in Cymbeline’, SLI, 5 (1972), 129–39Google Scholar
Salingar, L. G., Shakespeare and the Traditions of Comedy, 1974CrossRefGoogle Scholar
Schwartz, M. M., ‘Between fantasy and imagination: a psychological exploration of Cymbeline’, in Crews, F., ed., Psychoanalysis and Literature, 1970, pp. 249–83Google Scholar
Siemon, J. R., ‘“Perplexed beyond self-explication”: Cymbeline and early modern/postmodern Europe’, in Hattaway, M., Sokolova, B. and Roper, D., eds., Shakespeare in the New Europe, 1994, pp. 294309Google Scholar
Simonds, P. M., Myth, Emblem and Music in Shakespeare’s ‘Cymbeline’: An Iconographic Reconstruction, 1992Google Scholar
Skura, M., ‘Interpreting Posthumus’ dream from above and below’, in Schwartz, M. M. and Kahn, C., eds., Representing Shakespeare: New Psychoanalytic Essays, 1980, pp. 203–16Google Scholar
Smallwood, R., ‘We will nothing pay for wearing our own noses’, in Jones-Davies, M. T., ed., Shakespeare: Cosmopolitisme et Insularité, 1994, pp. 97113Google Scholar
Sullivan, G. A., The Drama of the Landscape, 1998Google Scholar
Swander, H. D., ‘Cymbeline: religious idea and dramatic design’, in McNeir, W. F. and Greenfield, T. M., eds., Pacific Coast Studies in Shakespeare, 1966, pp. 248–62Google Scholar
Swander, H. D., ‘Cymbeline and the “blameless hero”’, ELH, 31 (1964), 259–70CrossRefGoogle Scholar
Thompson, A., ‘Cymbeline’s other endings’, in Marsden, J. I., ed., The Appropriation of Shakespeare, 1991, pp. 203–20Google Scholar
Thorne, W. B., ‘Cymbeline: “Lopp’d branches” and the concept of regeneration’, SQ, 20 (1969), 143–59Google Scholar
Tobias, R. C. and Zolbrod, P. G., eds., Shakespeare’s Late Plays, 1974Google Scholar
Warren, R., Cymbeline (Shakespeare in Performance), 1989Google Scholar
Warren, R., Staging Shakespeare’s Late Plays, 1990CrossRefGoogle Scholar
Wayne, V., ‘The career of Cymbeline’s manacle’, Early Modern Culture, 1 (2000), 121Google Scholar
White, R. S., “Let Wonder Seem Familiar”: Endings in Shakespeare’s Romance Vision, 2nd edn, 1985Google Scholar
Wickham, G., ‘Riddle and emblem: a study in the dramatic structure of Cymbeline’, in Carey, J., ed., English Renaissance Studies, 1980, pp. 94113Google Scholar
Woodbridge, L., ‘Palisading the body politic’, Texas Studies in Language and Literature, 33 (1991), 327–54Google Scholar
Yates, F. A., Shakespeare’s Last Plays: A New Approach, 1975Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×