Book contents
- The Cambridge History of Music Criticism
- The Cambridge History of Music
- The Cambridge History of Music Criticism
- Copyright page
- Contents
- Music Examples, Figures and Tables
- Notes on Contributors
- Acknowledgements
- Introduction
- Part I The Early History of Music Criticism
- Part II The Rise of the Press
- Part III Critical Influence and Influences
- Part IV Entering the Twentieth Century
- Part V New Areas
- Part VI Developments since the Second World War
- 29 Music Criticism in the USSR from Asafyev to Cherednichenko
- 30 The Feuilleton and Beyond: Criticism in the Federal Republic of Germany and Austria after the Second World War
- 31 Music Criticism in Italy in the Twentieth Century
- 32 Wider Still and Wider: British Music Criticism since the Second World War
- 33 Music Criticism in France since the Second World War
- 34 Old Divisions and New Debates: Music Criticism in Post-War America
- Postlude
- Bibliography
- Index
31 - Music Criticism in Italy in the Twentieth Century
from Part VI - Developments since the Second World War
Published online by Cambridge University Press: 21 August 2019
Edited by
Book contents
- The Cambridge History of Music Criticism
- The Cambridge History of Music
- The Cambridge History of Music Criticism
- Copyright page
- Contents
- Music Examples, Figures and Tables
- Notes on Contributors
- Acknowledgements
- Introduction
- Part I The Early History of Music Criticism
- Part II The Rise of the Press
- Part III Critical Influence and Influences
- Part IV Entering the Twentieth Century
- Part V New Areas
- Part VI Developments since the Second World War
- 29 Music Criticism in the USSR from Asafyev to Cherednichenko
- 30 The Feuilleton and Beyond: Criticism in the Federal Republic of Germany and Austria after the Second World War
- 31 Music Criticism in Italy in the Twentieth Century
- 32 Wider Still and Wider: British Music Criticism since the Second World War
- 33 Music Criticism in France since the Second World War
- 34 Old Divisions and New Debates: Music Criticism in Post-War America
- Postlude
- Bibliography
- Index
Summary
Both the concept and practice of what is called ‘music criticism’ underwent profound changes and transformations in the course of the twentieth century. At the beginning of the century, there was an accelerated demographic growth and urban expansion in many Italian cities such as Genoa, Naples, Milan, Rome and Turin. The publishing market expanded, and at the same time the circulation of newspapers and magazines increased.
- Type
- Chapter
- Information
- The Cambridge History of Music Criticism , pp. 609 - 628Publisher: Cambridge University PressPrint publication year: 2019
- 2
- Cited by